A Renaissance in Harlem - Softcover

Bascom, Lionel

Softcover

ISBN 10: 1430321830 ISBN 13: 9781430321835

Publisher: Lulu Press, Inc., 2007

Synopsis

This is a collection of lost stories about the Harlem Renaissance. They are the voices of ordinary people who came to Harlem to start new lives. They created a new culture, the first generation of African-Americans.

About this title

From the Inside Flap:

Established to create jobs during the Depression, the Work Projects Administration sent writers into the neighborhoods and alleyways of Harlem to capture its distinctive voices during its most flamboyant, socially active and aesthetically vibrant era. It was a time when Harlem was Mecca, as vital as any world capital, surging with a tide of Negro migrants in search of the American Dream. The 1930s heralded the greatest period of self-discovery in African-American history after the Civil War and before the Civil Rights movement of the 1960s.

In this illuminating document, we are introduced to a West Indian conjure man known for his infallible charms and herbal remedies; a dancer at the Apollo Theater who mourns the untimely death of the entertainer who inspired her; a domestic worker determined to fight for fair wages and better treatment. And we meet Matt Henson at his retirement from his government job, still denied official recognition for his status as the first American to plant the United States flag on the North Pole.

Enter the bars, the nightclubs, the beauty shops, the street markets, the employment offices and homes. Visit with fish vendors, war veterans, Pullman porters, prostitutes, and countless others. Come listen to the memorable sounds of swing music, the singing and shouting of church choirs, and the lonely plea of a mournful spiritual.

From the Back Cover:

Lost for generations in the vaults of The Library of Congress, these remarkable essays by some of the era's finest writers, including Dorothy West and Ralph Ellison, vividly evoke daily life during the Harlem Renaissance.

The Lindy-Hoppers at the Savoy began to practice acrobatic routines, and to do absurd things for the entertainment of the whites, that probably never would have entered into their heads to attempt merely for their own effortless amusement. Some critics say that this is what happened to certain Negro writers, too -- that they ceased to write to amuse themselves and began to write to amuse and entertain white people, and in doing so distorted and over colored their material, and left out a great many things they thought would offend their American brothers of a lighter complexion. All of us know that the gay and sparkling life of the so-called Negro Renaissance of the '20s was not so gay and sparkling beneath the surface as it looked.

About this edition

• Publisher: Lulu Press, Inc.
• Publication date: 2007
• ISBN 10: 1430321830
• ISBN 13: 9781430321835
• Binding: Paperback
• Number of pages: 296