The Collaborative Habit: Life Lessons for Working Together - Hardcover

Tharp, Twyla

Hardcover

ISBN 10: 1416576509 ISBN 13: 9781416576501

Publisher: Simon & Schuster, 2009

Synopsis

· An important and useful skill: In education, collaborative classroom learning is replacing head-to-head competition. In business, the best leaders are team-builders who can inspire great group efforts. Tharp uses her decades of experience to explain why teamwork is a superior way of working for some of us and inevitable for almost all of us. .

· The essential lessons of group effort: Tharp takes readers through the most common varieties of collaborations, including working with a partner, with institutions and middlemen, outside your expertise, in a virtual partnership, with a friend, with someone who outranks you, plus how to deal with toxic collaborators, and much more..

· Examples from one of America’s greatest collaborators: Twyla Tharp shows how she built successful collaborations with Jerome Robbins, Mikhail Baryshnikov, Frank Sinatra, Billy Joel, Elvis Costello, David Byrne, Milos Forman, and four generations of great dancers..

About this title

About the Author:

Twyla Tharp, one of America’s greatest choreographers began her career in 1965, and has created more than 130 dances for her company as well as for the Joffrey Ballet, the New York City Ballet, the Paris Opera Ballet, London’s Royal Ballet, Denmark’s Royal Ballet, and American Ballet Theatre. She has won two Emmy awards for television’s Baryshnikov by Tharp, and a Tony Award for the Broadway musical Movin’ Out. The recipient of a MacArthur Fellowship, she was inducted into the American Academy of Arts & Sciences in 1993 and was made an honorary member of the American Academy of Arts and Letters in 1997. She holds nineteen honorary degrees, most recently from Harvard University. She lives and works in New York City.

Excerpt. © Reprinted by permission. All rights reserved.:

Chapter 1

What It Is, Why It Matters, Why It's the Future

I'm a choreographer who makes dances that are performed on stages around the world. It's just as accurate to say I'm a career collaborator. That is, I identify problems, organize them, and solve them by working with others. Many of the stories I'll be telling involve the world of dance, but you don't have to know anything about dance to get the point. Work is work.

I define collaboration as people working together -- sometimes by choice, sometimes not. Sometimes we collaborate to jump-start creativity; other times the focus is simply on getting things done. In each case, people in a good collaboration accomplish more than the group's most talented members could achieve on their own.

Here's a classic example of someone who identified a problem and worked with others to solve it. The year was 1962. The problem was a new play, A Funny Thing Happened on the Way to the Forum. The collaborator was Jerome Robbins, the choreographer and director who later became my good friend and coworker.

As A Funny Thing was completing its pre-Broadway tour, no one was laughing. Not Stephen Sondheim, who wrote the music and lyrics. Not veteran director George Abbott. Certainly not producer Hal Prince and the play's backers.

And, most important of all, not the audience.

At the Washington previews, just three weeks before the New York opening, audiences were fleeing the theater. By the time the curtain came down, the theater was often only half full.

And yet, on paper, A Funny Thing should have been a huge hit -- the creative team couldn't have been more distinguished.

What was wrong? No one knew.

What to do? That they knew.

When a show has script trouble, it's common for the producers to bring in a "play doctor." In business, he'd be called a consultant. I'd call him a collaborator -- someone who works with others to solve a problem.

The doctor they called in was Jerome Robbins, who came to Washington from Los Angeles, where he had just collected an Academy Award for West Side Story. He watched a performance -- and by intermission, not only had he analyzed the problem, he had a solution.

A Funny Thing, Robbins said, was a farce inspired by the comedies of Plautus, a Roman playwright. But Plautus lived from 254 to 184...before Christ. How many theatergoers knew who he was? Or what kind of plays he wrote? And, most of all, who knew what kind of play A Funny Thing Happened on the Way to the Forum was supposed to be?

Jerome Robbins offered simple, commonsense advice: It's a comedy. Tell them that.

Sondheim quickly wrote an opening number called "Comedy Tonight" -- "Something convulsive / Something repulsive / Something for everyone: a comedy tonight!" -- and once ticket buyers knew what they were supposed to do, they laughed. The New York reviews were cheers for an "uninhibited romp," and A Funny Thing played 964 performances on Broadway before going off to Hollywood and becoming a hit movie.

Clearly, it's a good idea to tell people what to expect.

Here's what you can expect from this book: a field guide to a lot of the issues that surface when you are working in a collaborative environment. I'll explain why collaboration is important to me -- and, I'll bet, to you. I'll show you how to recognize good candidates to work with and how you build a successful collaboration -- and I'll share what it feels like to be trapped in a dysfunctional one. And, finally, although this isn't a book that promises to help you find love or deepen your romantic life, I suspect that some of what you may learn from these pages can help you in your personal relationships. In each case, because collaboration isn't an airy concept but a practice that's found in our daily reality, I'll be light on ideas and heavy on stories.

Collaboration is how most of our ancestors used to work and live, before machines came along and fragmented society.

Time to plant the fields? Everybody pitched in and got it done. Harvesttime? The community raced to get the crops in before the rains came. Where were those crops stored? In barns built by teams of neighbors.

In the cities, the same spirit applied. Anonymous craftsmen spent their lives building cathedrals that wouldn't be completed for generations. Michelangelo is celebrated for the Sistine Chapel; in fact, he supervised a dozen unacknowledged assistants. Even one of the greatest composers, Johann Sebastian Bach, chose to deflect credit for his compositions, writing at the bottom of each of his pieces "SDG," for Soli Deo Gloria -- to God alone the glory.

By the twentieth century, only a few self-isolated sects practiced the collaborative tradition. Blame it on wars that killed millions, the atomic bomb, Freud, or any combination of factors you choose -- there's no shortage of reasons. The result is that most of us grew up in a culture that applauded only individual achievement. We are, each of us, generals in an ego-driven "army of one," each the center of an absurd cosmos, taking such happiness as we can find. Collaboration? Why bother? You only live once; grab whatever you can.

But now more and more of us are realizing that the brilliant CEO, the politician who keeps his own counsel, and the lone hero are yesterday's role models. The media may still love them, but our new heroes are men and women who know how to gather allies, build teams, and work together toward shared goals. Name an enterprise, and you'll find levels of collaboration that were unthinkable just a few years ago. The real success stories of our time are about joint efforts: sports teams, political campaigns, businesses, causes.

Collaboration is the buzzword of the new millennium.

Like many of you, I went to school when victory meant raising your hand first and shouting out the answer -- school was a war zone that rewarded only the brightest and most aggressive. But now learning is collaborative; children work together in groups to solve problems. They solve them faster this way, and without winners or losers. And in doing so, they gain valuable life skills.

Consider the Internet, which has dramatically increased our ability to communicate with friends and associates -- and millions of strangers around the world. Now we can form networks and create collaborations without start-up money, an infrastructure, or even an office. Result? Our basic urge to work in groups can be realized more easily now than at any time in modern history.

Thanks to the Internet, a battered economy, and a profound shift in personal values, a notion that was once heresy -- that the wisdom of a smart group is greater than the brainpower of its smartest member -- is increasingly accepted in every discipline and every profession and at every age and stage of life.

On the Internet, someone posts an article, then others comment. With the addition of new facts and points of view, readers benefit -- and by contributing to the conversation, they become part of a smart community.

In business, "crowdsourcing" -- assigning a task that used to be done by a single worker to whole communities -- has become a powerful tool in the product-development process.

Dell Computers, for example, created an outreach called IdeaStorm to get ideas and feedback from customers. So far, the company has used almost three hundred of their suggestions -- keyboards that light up in the dark, more color choices, longer battery life -- in its new products.

Starbucks has launched a Web site called My Starbucks Idea to gather consumer brainstorms, filter them through management, and then have the coffee company's customers vote on the best ones. The site has collected seventy thousand suggestions.

In politics, the 2008 presidential campaign of Barack Obama proved that the most powerful word in his slogan, "Yes we can," was we.

Until 2008, most politicians used the Internet only for fund-raising. Barack Obama, a former community organizer, saw that "social networking" could mean more than the exchange of trivial blasts of personal information by virtual "friends." And he used the Web to build a movement that transformed interest into participation.

Obama's site had double the traffic of opponent John McCain's. Four times as many visitors to YouTube watched Obama's videos. He had five times as many Facebook "friends." Three million people signed up for his text messages -- and he sent them fifteen to twenty a month. And in the last four days of the campaign, Obama campaign volunteers made three million personal phone calls.

Experts say that no political campaign, no matter how well funded, could generate that much content on its own. Obama's core Internet team consisted of just eleven people. The rest of the work was done by highly committed supporters who took the communication devices they used every day and repurposed them to rally their personal networks for a common cause.

In sports it has always been about the team.

Michael Jordan started winning scoring titles in 1986. But the Chicago Bulls were not winning championships. Bulls Coach Phil Jackson knew why: "Scoring champions don't win championships." The team brought in some stronger players. And although Michael Jordan was already recognized as the greatest player in the history of basketball, he started moving the ball around. In 1991, the Bulls won their first championship in franchise history. That year, Jordan was voted the most valuable player in the finals in part because he scored thirty points in the deciding game -- but also because, in the same game, he passed the ball to teammates for ten assists.

You are probably not a professional basketball player or a politician or the proprietor of an Internet news site. You probably don't run a high-tech company or make educational policy for a school district. But in the last few years, you've certainly been exposed to the noti...

About this edition

• Publisher: Simon & Schuster
• Publication date: 2009
• ISBN 10: 1416576509
• ISBN 13: 9781416576501
• Binding: Hardcover
• Edition number: 1
• Number of pages: 160