The Story Of The Lost Child (Thorndike Basic) - Hardcover

Ferrante, Elena

4.44

136,794 ratings by Goodreads

9781410491183: The Story Of The Lost Child (Thorndike Basic)

Hardcover

ISBN 10: 1410491188 ISBN 13: 9781410491183

Publisher: Thorndike Press Large Print, 2016

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A New York Times Bestseller Longlisted for the 2016 MAN BOOKER INTERNATIONAL PRIZE Named TIME Magazine's #1 Book in it's "10 Best Fiction Books of 2015" list Named one of the "10 Best Fiction Books of 2015" by The New York Times Book Review Named one of the "10 Best Fiction Books of 2015" by People Magazine Featured in the Wall Street Journal's list of "15 Books to Read This Fall Included as one of “30 blockbuster novels to look out for this fall” by Entertainment Weekly Listed as one of Publisher Weekly's "Most Anticipated Books of Fall 2015 Included in the Kirkus list of "21 Must-read Fall books Featured as one of the New York Times Book Review's "100 Notable Books of 2015 The Neapolitan Novels (Book 4) Here is the conclusion of the dazzling saga of two friends, the brilliant, bookish Elena and the fiery, uncontainable Lila. Theirs is a long and remarkable story that readers will return to again and again, and, like Elena and Lila themselves, every return will bring with it new discoveries.

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Review:

An Amazon Best Book of September 2015: Elena Ferrante has been an under-the-radar phenomenon for a couple of years now: the pseudonymous, publicity-shunning Italian author of Days of Abandonment – one of my favorite novels of all time – and the three (until now) Neapolitan Novels is the go-to read for thoughtful, analytical women on at least two continents. But if the first three books made her a cult here, The Story of the Lost Child, the final volume of the Neapolitan books, is poised to make her a bona fide star.

Such widespread acceptance and popularity is only fitting, since the characters in the Neapolitan novels are not “fancy” women; they’re for the most part not particularly educated, rich or sophisticated. What they are, always, is full of life and self-doubt and self-consciousness and ambition and love and hate and energy and sexuality. The new book, like the others, centers around the lifelong relationship between Elena and Lina – frenemies from long before such a word existed. The Story of the Lost Child chronicles what happens when the women renew their friendship after many years of estrangement; “One morning, I woke up and thought of her without hostility for the first time in a long while,” as Elena says. Now they are beginning to face aging together.

That’s the plot here, and it is essentially the plot of all of the Neapolitan novels: how do women grow and age, together and apart, how do they relate, how do motherhood, money and men intervene? But you don’t read Ferrante for the plot; you read her for the sheer accumulation of detailed scenes and conversations, for its comings together and breakings apart, and for the way characters disappear and recur until the city in which they live becomes both a vast jungle and the original too-close small town. (Bonus: while it’s probably best to read all four of these novels in the order in which they were published, you can come to book 4 fresh and get up to speed within pages.) Along the way, you also get a glimpse into the politics of 20th century Italy and some sly understanding of the publishing world. (Elena is a published author of some success.) Reading Ferrante is, in other words, both exhausting and exhilarating. The other day, an acquaintance said she loved these books so much she felt like standing on a street corner and handing them out to every woman she sees. I know the feeling. – Sara Nelson

About the Author:

Elena Ferrante, author of The Days of Abandonment, Troubling Love, and My Brilliant Friend, among others, is one of Italy's most important and acclaimed contemporary writers. Her true identity is unknown.

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