Crossing Midnight Vol. 1: Cut Here - Softcover

9781401213411: Crossing Midnight Vol. 1: Cut Here
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Set in present-day Nagasaki, Japan, a fantasy/horror series begins when two extraordinary twins are born--one before and one after midnight-- and one of them has access to a world filled with supernatural beings who can enter, and impact, the world as the commonly know it.

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About the Author:

Linda, Louise and Mike Carey are three writers living in North London. Sometimes they write together, sometimes alone.

Louise wrote The Diary of a London Schoolgirl for the website of the London Metropolitan Archive. She also co-wrote the graphic novel Confessions of a Blabbermouth with Mike.

Linda, writing as A.J. Lake, authored the Darkest Age fantasy trilogy. She has also written for TV, most notably for the German fantasy animation series Meadowlands.

Mike has written extensively in the comics field, where his credits include Lucifer, Hellblazer, X-Men and The Unwritten (nominated for both the Eisner and Hugo Awards). He is also the author of the Felix Castor novels, and of the X-Men Destiny console game for Activision. He is currently writing a movie screenplay, Silent War, for Slingshot Studios and Intrepid Pictures.

They share their crowded house with two other writers/artists, a cat, and several stick insects.

From Publishers Weekly:
A fun, often suspenseful addition to Carey's already notable fantasy/horror-driven work. The premise reads just like the modern Japanese horror movies on which Crossing Midnight is clearly based. A man, Yasuo, prays for a child to be born, and instead he gets twins—a boy and a girl. They grow up normally until one day a demon comes to cash in on Yasuo's promise of an offering. The demon takes the daughter, Toshi, who finds herself in training to be a warrior princess, while son Kai watches helplessly. Meanwhile, Yasuo appears to have mob-related problems. Carey moves this plot along briskly, offering a wealth of details about modern Japanese life in Nagasaki. He's done his research and it pays off in a sense of realism. Fern complements this with detail-driven art that immerses the reader in the time and places of the story. His clean lines and exactitude work in both city streets and mystical byways, while the characters are both visually and thematically appealing. This is a solid, entertaining and beautifully executed exercise in Japanese genre fiction—every bit as gripping as its filmic equivalents. (June)
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