Writing for the Screen is a collection of essays and interviews exploring the business of screenwriting. This highly accessible guide to working in film and television includes perspectives from industry insiders on topics such as breaking in; pitching; developing and nurturing business relationships; juggling multiple projects; and more. Writing for the Screen is an ideal companion to screenwriting and filmmaking classes, demystifying the industry and the role of the screenwriter with real-world narratives and little-known truths about the business. With insight from working professionals, you’ll be armed with the information you need to pursue your career as a screenwriter.
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Anna Weinstein is the Series Editor for PERFORM. A writer and editor with over fifteen years of experience in educational publishing, she received her MFA in Writing for the Performing Arts from the University of California at Riverside-Palm Desert and her BA in Communication Studies/Performance from the University of North Carolina at Chapel Hill. She teaches introductory and advanced screenwriting at Auburn University, and she is a frequent contributor to Film International, where she publishes interviews with award-winning female directors in her series "Diva Directors Around the Globe."
"This book answers all the hard questions every aspiring writer asks and the rest of the screenwriting manuals avoid. It's astonishing that this essential addition to every screenwriting library hasn't existed before―and a cause for celebration that it finally does now."
―William Rabkin, Author of Writing the Pilot, Professor of Television Writing and Producing at Long Island University’s TV Writers Studio
"An essential book – so accessible, so beautifully written, so encouraging and realistic and specific. It covers all the bases. Anyone contemplating a career as a screenwriter MUST read this book!"
―Dr. Linda Seger, Script Consultant, Author, Seminar Leader
"Writing for the Screen is perhaps the most powerful book on 'making it' in screenwriting that I've read in years. It is feverishly real, with raw truths and unabashed encouragement. I love the book's kaleidoscopic portrait and its solid approaches to the unique challenges of succeeding as a screenwriter today."
―Dr. Pieter Aquilia, Head, Screenwriting, Australian Film Television & Radio School
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