About the Author:
Kelcey Parker Ervick has traveled to Prague regularly since 2003 and currently directs an overseas study program to Prague and Berlin, where students create collage journals inspired by artists such as Hannah Höch, Toyen (Marie Čermínová), and Jiří Kolář. She is the author of the story collection FOR SALE BY OWNER (Kore Press) and of LILIANE'S BALCONY (Rose Metal Press), a novella-in-flash set at Frank Lloyd Wright's Fallingwater and winner of silver medal awards from the IPPY, Foreword, and Eric Hoffer Book Awards. A recipient of grants from the Indiana Arts Commission and the Sustainable Arts Foundation, she teaches creative writing and literary collage at Indiana University South Bend. Her blog features interviews with contemporary writers and the series, "Letters to Dead Authors."
Review:
Parker dances effortlessly between present and past, fact and fiction, nature and interior, lovers and out-of-lovers. The story that emerges is moving and precariously beautiful: a book that in lesser hands might have come toppling down. In Parker's, it's a triumph. --Caitlin Horrocks
In Liliane's Balcony, Kelcey Parker skillfully interweaves the voices of a wide range of richly drawn characters, each experiencing Fallingwater, the Frank Lloyd Wright masterpiece, in diverse, compelling ways. For anyone who has visited, the vivid descriptions will take you back; for anyone who has not experienced Fallingwater first-hand, this book will conjure the magic out of thin air. But while Fallingwater is at the center of this swirling drama, Liliane's Balcony is at its heart a tale of love--the struggle to imagine it, the struggle to find it, and the struggle to keep it. --Jim Daniels
Liliane's Balcony proves stylishly and poignantly that just as buildings don't have to be huge to be architecturally daring, narratives don't have to be massive in scale to be grand in accomplishment. The story lines here--a contemporary one set on a tour of Fallingwater, a historical one featuring the original owner, the venturesome, conflicted, and fascinating Liliane--are ingeniously designed and expertly joined. The result is a meditation on marriage, architecture, womanhood, ghosts, and the idea of the genius loci that will linger with the reader long after the book is closed. This reminded me of great novels of architecture and psychology like Kathryn Davis's Hell and Joanna Scott's The Manikin, but Kelcey Parker is a unique talent, and Liliane's Balcony is a revelation. --Michael Griffith
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