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One of the most frequently asked questions when I do readings of my fiction is: Where do the ideas for your stories come from? I'd like to share the background for some of the stories in this collection with you.
The Dancing School was suggested by an anecdote of my wife's about the time she was a girl attending school in Florida. It's her favorite story in the collection. The Dancing School was one of three finalists for Best Western Short Fiction in the Western Writers of America's awards the year it appeared in a magazine.
Radio Waves was triggered by an article in the Wall Street Journal about a small boy who thought he was controlled by radio waves.
The Border resulted from thinking about what it meant to be an American. Our ancestors, even Native Americans, came from somewhere else. They had the courage to leave home for the unknown, seeking a better life as well as political and religious freedom. The Border addresses that issue through the story of a teen-age boy who goes back to the old country, Mexico, to seek his father and learns that he is really an American.
The idea for Dear Rosita came from a newspaper article about a brilliant young Mexican-American girl who received a scholarship to a prestigious Eastern university while she and her migrant worker family were living in an abandoned automobile in a field. I couldn't help but wonder what effect going away to college---to a new world---would have on her and her family.
As for the novella, Uncivil Rights, which has caused the most stir among readers, I have met many people (not all Hispanics) like the fictional character, Alfonso Pena, a self-righteous activist who protests a local court case and creates more problems than he solves. The character is not based on any one person, but the situation was suggested by a court trial that occurred in Albuquerque a few years ago. My goal was to approach such an emotionally loaded story with humor.
Of course an idea for a story is only that. True events, including what you read in a newspaper, seldom translate directly into fiction. They are but the seeds which, nurtured by imagination and hard work, hopefully result in an entertaining story.
If you're interested in the American Southwest, Mexican- American culture, or the changing demographics of America, these stories should appeal to you. As the El Paso Times reviewer wrote: 'Uncivil Rights' is a funny and absolutely candid snapshot of Hispanics in the Southwest. . . . a little cultural gem, the kind of literature that you still find enchanting even after a second read. If you decide to take a first read, I hope you find the stories entertaining, enlightening, and some of them funny as the dickens. If so, you've made my day, my week, my month, and my year. Gracias!
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Book Description Soft cover. Condition: Very Good. No Jacket. Inscribed to writer, Rudolfo Anaya and his wife, by the author: "To Rudy and Pat, thank you for all you've done for New Mexico Hispanic writing. Nash Candelaria. 11/18/98." The book is in good condition with clean and tight pages. "Candelaria captures. . .an inheritance that very few Chicano writers have been able to depict without showing it as if it were outside the American experience."--American Book Review. Inscribed by author. Seller Inventory # 003780