From Publishers Weekly:
The assassins of New York City, Fitch argues, were a group of powerful elites tied to the FIRE (financial, insurance and real estate) industries who began to influence city planning as far back as the Depression and still hold some power. According to the author, the goal of these people (whose ranks include the Rockefeller family) was to de-industrialize NYC so that their real estate holdings could be put to more profitable uses than manufacturing, namely the construction of large office buildings and luxury housing. Fitch ( Who Rules the Corporation ) provides a raft of statistics to document how the de-industrialization policy, which included the strangulation of the city's port, resulted in the loss of hundreds of thousands of blue-collar jobs, just as the elites had intended. However, the second phase of their plan--the creation of hundreds of thousands of white-collar jobs--never materialized, resulting in a city with a high unemployment rate and inadequate public services. Fitch details so many ill-conceived, FIRE-inspired master plans for New York City that the material becomes confusing and repetitious. In his zeal to document how the FIRE elites systematically murdered NYC, Fitch's book is more a treatise than a whodunit. Students of urban politics and planning will consider his information crucial, but more casual readers will find their minds wandering. Nonetheless, Fitch gives the average NYC resident plenty to get angry about, but holds out hope for the future by suggesting that a return to economic diversity could lead to a resurrected Gotham.
Copyright 1993 Reed Business Information, Inc.
From Library Journal:
Fitch, who has taught urban studies and consulted for an organizations, is a modern-day muckraker. This is a passionate book, compelling even when one disagrees with details of Fitch's argument and even when he's patently wrong. He examines the destruction of New York's industrial base in favor of an intensely subsidized program of office construction; he offers a powerful, even ranting, indictment of the city's planning establishment. His book complements works like Jack Newfield and Paul DuBruhl's The Abuse of Power (1977) and is, in part, a critique of Robert Caro's The Power Broker (Vintage, 1975). Fitch sometimes lacks the sense of historical context that would put his archival research in perspective. Yet his book is an important attack on the prevailing notion that New York must make itself into a "postindustrial" city. One would like to see a copy in every New York library and in collections with a focus on urban planning, industrial policy, and municipal government.
- Gregory Gilmartin, New York
Copyright 1994 Reed Business Information, Inc.
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