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"This is an untold story about America and its culture that history has conspired to make a forgotten story, told here with grace, quiet anger, and a will to raise the dead. John Work worked to raise the dead; now Robert Gordon and Bruce Nemerov have done the same for him." - Greil Marcus
"Essential reading for anyone interested in United States history and culture of the South during the early decades of the twentieth century, this book concerns the music and sociology of a rural American culture when changes were transpiring because of migration, urbanization, and generational gaps. In addition to providing important insights about black life in rural Mississippi in the 1940s, the book demonstrates that John W. Work III, an African-American music scholar, was a pioneer and forerunner in dealing with social issues in music research. At a time when ethnomusicology was in its infancy as a scholarly discipline (the term ethnomusicology had not been coined) and most researchers (blacks and non-blacks) were focused on the study of so-called elite, serious, or art music, Work was conducting fieldwork among rural blacks because he realized that social context was an essential variable in understanding musical creativity and the shortcomings of promoting one genre over another. His excellent and intuitive analyses give fresh, new, and different interpretations regarding both secular and sacred black vernacular music. LOST DELTA FOUND not only explains why John W. Work (a culture bearer) was silenced as a researcher and received little support for his efforts to promote a more holistic view of African-American music and culture, the book also reveals why it has taken sixty years for Work's research methods and findings to be made available to the public." - Jacqueline Cogdell DjeDje, Director, Ethnomusicology Archive, UCLA
"This is a very welcome and significant addition to the scholarly record. The project brings critical voices of African American scholars to the fore. The attendant contextualizing material, drawing on correspondence and interviews, adds to the work that was formerly known primarily as the work of Alan Lomax and helps us better understand a complex history between Fisk and The Library of Congress." - Ruth M. Stone, Director, Ethnomusicology Institute, Indiana University
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