Those interested in art and social change will welcome this new edition, which represents an ongoing faith in the ideal of participatory democracy as the best way to confront the nation's social problems and in the potential of activist art to have long-term social impact. The introduction describes the era-the late 1960s-and a new afterword looks at the 1980s and 1990s and the continuing commitment to the community-engaged process of making public art.
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