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Eric Rentschler received his academic training in German literature, German history, and European intellectual history, studying in Stuttgart, Bonn, and Prague, before taking his doctoral degree at the University of Washington. He has been awarded Guggenheim, Humboldt, ACLS, DAAD, and Fulbright grants as well as the Joseph R. Levenson Memorial Teaching Prize for Senior Faculty at Harvard (2001) and the Walter Channing Cabot Fellowship (2003). At Harvard he is both Chair and Director of Graduate Studies of the Film and Visual Studies Program, the convener of the monthly Film and Visual Studies Colloquium, and the director of the annual Berlin Film Program offered by the Harvard Summer School (in cooperation with the Deutsche Film- und Fernsehakademie Berlin). He is also an editor ofNew German Critique, and, with Anton Kaes, co-director of the German Film Institute held every second summer at the University of Michigan.
His publications concentrate on film history, theory, and criticism, with particular emphasis on German cinema during the Weimar Republic, the Third Reich, and the post-1945 and postwall eras. His numerous articles have appeared in collections and periodicals; his books includeWest German Film in the Course of Time(Redgrave, 1984),German Film and Literature(Methuen, 1986),West German Filmmakers on Film(HolmesMeier, 1988),Augenzeugen(Verlag der Autoren, 1988, with Hans Helmut Prinzler; second updated edition 2001),The Films of G.W. Pabst(Rutgers UP, 1990),The Ministry of Illusion(Harvard UP, 1996),Neuer Deutscher Film(Reclam, 2012, with Norbert Grob and Hans Helmut Prinzler), andThe Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present(Columbia UP, 2015).His present book project isThe Cinema of Consensus: Zeitgeist Szenarios in the Kohl Era.
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Book Description Hardcover. Condition: Fair. Dust Jacket Condition: No Dust Jacket. Hardcover with brown cloth covers and silver writing on spine. No dust jacket. This is an ex-library copy with the typical library markings and stamps and library card pocket on rear paste down. A good solid working copy. ; Black and white movie stills throughout the book and appendices include notes for each essay, complete filmography and an extensive bibliography. ; Illustrated from film stills; 8vo 8" - 9" tall; An anthology of 18 essays concerning Pabst's career as a film director written by professors and film historians well known in the field of German film history. Seller Inventory # 22490
Book Description Condition: Good. Good solid copy, mild to moderate reading/age wear, no DJ if issued, may have some light markings or exowner inscription. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount. Seller Inventory # 1M50000068W7_ns
Book Description Hier als Leinen-Erstausgabe. Seriöse Monographie, die sich fachkundig mit dem Werk und filmischen Stil des großen deutschen Regisseurs ("Westfront 1918", "Die Dreigroschenoper", "Der letzte Akt") auseinandersetzt. Anmerkungen, ausführliche Filmographie, Bibliographie. Index. Viele Abbildungen. Zustand: sehr gut erhaltenes Archivexemplar mit Stempel/Vermerk, außen etwas kratzspurig, Innenleben tadellos LN 24x16. 713g. Seller Inventory # 4272
Book Description Condition: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc. Seller Inventory # 00029169306