Curator Robert Storr reminds the reader of the strengths of some of this work-by Otto Dix, Lucien Freud, Francesco Clemente, and even Pablo Picasso-and of the enduring popularity of such artists as Pavel Tchelitchew, whose Hide and Seek, along with Andrew Wyeth's Christina's World, are among the public's favorite pictures. Storr also discusses taste and vulgarity and their implications, both past and present, for institutions like The Museum of Modern Art that are thought of as canon-builders.
More than 200 illustrations in full color, 9 x 12"
ROBERT STORR is curator in the Department of Painting and Sculpture at The Museum of Modern Art, New York. His previous books, also available from Abrams, include Tony Smith and Chuck Close.
EXHIBITION SCHEDULE The Museum of Modern Art, New YorkMar. 15-Sept. 6, 2000
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Book Description Hardcover. Condition: VG/VG. 1st ed. Azure cloth, azure & pictorial dust jacket with mylar cover, 248 pp., 172 color & 26 BW illus. "This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--Jacket. Seller Inventory # 135587
Book Description Hardcover. Condition: Fine. 1st Edition. EXCELLENT Unmarked PAGES And BINDING And DUST JACKET. Hardback. Approximately 9 X 12. 247 pages. Seller Inventory # 005633
Book Description Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Large quarto. Color and B&W illustrations. As new in as new DJ. 248 pages. Seller Inventory # 401068
Book Description Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 248 pp., 198 illustrations 172 in full color. First edition. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY March 16-July 26, 2000. Foreword by Glenn D. Lowry, Director of The Museum of Modern Art. Includes index of illustrations and acknowledgments. Dustjacket is protected with a mylar cover. Seller Inventory # 004833
Book Description Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Large hardback in fine condition with near fine dust jacket. Seller Inventory # 13769
Book Description Seller Inventory # d13d45c3839f2cfdf0a4b8b72a5176b7
Book Description hardcover. Condition: Very Good. Very Good. book. Seller Inventory # D8S0-3-M-0810962071-4