About the Author:
Kenneth McConkey is Professor of Art History and Dean of the Faculty of Arts and Design, University of Northumbria at Newcastle. He has written extensively about late Victorian and Edwardian painting.
From Publishers Weekly:
British impressionism, like its American counterpart, has skulked in the shadows of Monet, Renoir and other French favorites. Here, in 132 excellent plates and an engaging text, is a comprehensive survey of a movement that wore many faces, from Laura Knight's intensely radiant beach scenes to Walter Sickert's urban world refracted through a restricted palette and quirky narrative technique. There is no doubt that the British impressionists are cooler and more controlled than the French: Henry Herbert La Thangue's landscapes, for example, impress with their solidity even as their lyric poetry transports the viewer. Yet the British were also adept at recording transitory moments, middle-class pleasures, effects of light and atmosphere. McConkey, who teaches in England, follows the vagaries of a movement enlivened by American expatriates James Whistler and John Singer Sargent and French expatriate Lucien Pissarro, son of the famous impressionist, Camille.
Copyright 1989 Reed Business Information, Inc.
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