Well - Softcover

McIntosh, Matthew

Softcover

ISBN 10: 0802141439 ISBN 13: 9780802141439

Publisher: Grove Press, 2004

Synopsis

Critically acclaimed Well marks the astonishing debut of an author with a singular and unflinching voice and vision. Set primarily among the working-class of a Seattle suburb called Federal Way, this highly original novel-told in the form of interlinked short stories- extols the lives of a large cast of characters lost in various modes of darkness and despair. Whether struggling to come together or desperately alone, they grapple with dark compulsions and heart-rending afflictions. As if trapped at the bottom of a well, they search for relief, for a vehicle into the light they know is up and outside.

They search in sex, in drugs and violence, and in visions of Apocalypse and Creation, dreams of angels and killers and local sports championships. Compact, finely wrought, powerfully charged, Well ultimately rises toward the light, in a finale which echoes with the exhilarating human capacity for hope. The result is a mesmerizing tour de force that will establish Matthew McIntosh as a bold and progressive new voice of American fiction.

Stories:

BURLESQUE

Snapshots of various troubled couples on the day that the Seattle SuperSonics lose their chance at advancing to the NBA finals. Len and Adda are fighting- Len is in love with Adda (she is "the girl he wanted") but she is torn, and is leaving the next day to spend a week with her fiancée to make sure that breaking up with him is the right thing. Len becomes jealously enraged when he finds out Adda and her fiancée will be sleeping in the same bed, begging her not to touch the man.

Nate and Sammie are also fighting: Sammie insists that a certain girl who is trying to convert Nate stop calling their house. Nate gets tired of Sammie's hysteria and beats her, only to become terrified at what he has done.

A first person narrator recalls his rather pathetic adventures with prostitutes in Thailand, where he made big money at an English language newspaper and lived like a king. He brought a woman over who now resents him for it, and they have a staid marriage while he continues to dream over prostitutes.

Raymond and his wife are at the SuperSonics game and get in a fight when Ray's wife sees he is ogling cheerleaders through his binoculars. He misses it when the team loses at the buzzer.

The SuperSonics janitor comes home to his wife, who is pregnant. He masturbates as he recalls the time he slipped out to watch a burlesque show at the strip joint across the street.
MODERN COLOR / MODERN LOVE

II. Shelly is a Korean 16-year-old boarding school student who likes having sex with strangers in bars and doing crystal meth. She falls a sleep and crashes her car through a fence, causing her mother to cry and call her "A Real American Whore" when she picks her up in prison. She meets an older man who takes her in but finally gets sick of giving her money to drink and sends her home. When her mother isn't home, she goes to the nearest bar.

III. A phone sex patron can't make up his mind what he wants his fantasy to be and the story concludes: "Do you realize what this is costing?"

IV. The story of Davin, a warehouse worker, and Sarah, who are in a band together. Davin is loving and committed to Sarah but Sarah doesn't see a future with him. She gets pregnant and they grow distant. One day Davin gets in a fight with a co-worker and is paralyzed on his left side after being hit in the skull. Sarah takes care of him in the hospital, but when he returns home he begins drinking. One night he picks the 2-year-old up while drunk and Sarah becomes hysterical when the child begins crying. He beats Sarah and is issued a restraining order. Sarah moves out and eventually begins dating a construction worker she does not really love.
CHICKEN

A group of guys gets into a game of chicken with a car containing a guy and a bunch of girls. When the guys cut the girls off suddenly, the driver of the latter car approaches the guys in an insane rage and finally hits the driver in the nose.

Santos and his young partner work at a hotel-they go to Denny's when they should be training an Ethiopian who messes up on his first day. The guys get fired for this and Santos, humiliated, tells the young partner about the time he made a buzzer shot in a college basketball game only to have the game-winning points taken away from him by the refs.

A kid drops some pills at the bus station and gets stuck on the Greyhound listening to a vet recount his experience in Guam, where he dug a whole to save himself from gunfire.
VITALITY

SPACEMAN: Charlie is a lonely gay bartender who has started to feel old and fat. Although he loves bartending and meeting people, etc., he loses his job because he has kept drinking on the job after repeated warnings. He laments that he has never been in love. On the night he loses his job he goes home to try to clean his filthy house but ends up vomiting into the toilet, longing for company.

DAMAGE: A young man enters a peep bbbbbbooth with his friends and is struck by his ugly reflection as he looks at the beautiful dancer. When his friends begin teasing the dancer by sticking their tongue out, the bouncers approach them and a brawl ensues. The young man "pounds the Living Holy Fuck" out of the bouncers.

ACHE:
A man begins experience atrocious cyclical spells of pain, incoherence, and anxiety after he dives into a swimming pool one day and hits his head on the bottom. His parents take him to all variety of specialists who prescribe drugs, etc. and eventually he becomes dependent on them, and a drunk. He moves to London to get away from it all and meets a girl who wants to marry him but eventually assaults her in a fit of hysteria. He moves back home and lives a quiet life. When the pain is gone, he discovers that he misses it.

THEY ALL WAIT FOR YOU:
A man finds out that he will die of cancer and spends his day at the Trolley bar, getting hammered and thinking about the pointlessness of it all.

ONE MORE
A man walks into a pharmacy with a fake prescription. The pharmacist dials 911 but before the police come he shoots himself.

GUNMAN
The gruesome last days of two gunmen-one who killed his family before racing through the city on a killing spree as he fled from the cops, the other a man who shot a city bus driver- are recreated in a frank, reportorial manner.

FISHBOY
The narrator, a somewhat pathetic naïf whose father wrecked the home by cheating on his catatonic mother, develops a crush on a girl who works at a fish restaurant. He goes on a date with her but is rejected when he attempts to grope her at her front door. Gradually he becomes obsessed with her, writing her love letters and visiting her even though she doesn't want to see him again. After he threatens to jump off her roof, her father tries to set him straight, eventually punching him in the face. He is offered admission at a fisheries school in Nebraska and goes there to get away from Seattle, but finds it isn't what he bargained for, and becomes bored. He lies by the highway and in a somewhat magical-realism passage two guys stop their car and begin taking his body apart until he has turned into a fish, gasping for air on the highwayside. It starts to rain and he finds himself "there, somewhere, in-between."

GRACE
A Jesus-loving woman develops a mysterious degenerative illness and is forced to spend the rest of her days in a home, putting up a front of hope but knowing that she is on her way out.

LOOKING OUT FOR YOUR OWN
The narrator remembers his first love, a girl without a mother and an abusive father. It is an innocent relationship-the narrator is plagued by sexual hang-ups and the girl cries after intercourse. When the narrator accidentally gets her pregnant, the girl's father storm into his house and almost chokes him to death. Thinking about his mentally retarded brother that his parents institutionalized and about the beatings his girlfriend has taken from her father, the narrator breaks up with the girl because he feels guilty that he can't take care of his own.

About this title

Review:

In his debut novel Well, Matthew McIntosh has produced an impressive, unsettling portrait of the inhabitants of Federal Way, Washington, a blue-collar suburb of Seattle. This book is less a novel than a collage of voices (mostly first-person, sometimes disembodied) unified by their disparate attempts to overcome (or at least come to terms with) physical and emotional pain, addiction, loss, dysfunctional and withering relationships, and other common, but intensely personal, problems. Most striking is that these citizens are acutely aware of their flaws, describing their most intimate thoughts and stories with a twinge of sadness, as if confessing--but not making excuses--for their actions. Some are hopeful, most are resigned, and there is a sense of entrapment among the characters, a realization that they may not have the strength, patience or even a clue how to change for the better. They tell us their strange dreams, fantasies, describe fleeting feelings of self-control.

Of the few, more traditional short stories, "Fishboy" is strongest, wherein a high-school student realizes finally that his obsession with a classmate is unhealthy. In "Gunman," McIntosh creates a faux news report of a bus driver's random shooting, containing a succinct elucidation of what drives these folks to speak: "Why do these things happen? What is it that allows them to happen? We wonder if there is a higher order to the universe. We wonder if there is a higher order to our world, at least. We report that our world is falling apart. And we report that we are falling apart." With the proof in the writing, not the ambitiousness or media fanfare, Well is a hauntingly memorable book from a refreshing, new voice. --Michael Ferch

About the Author:

Matthew McIntosh has been published in Ploughshares, Puerto del Sol and Playboy.

About this edition

• Publisher: Grove Press
• Publication date: 2004
• ISBN 10: 0802141439
• ISBN 13: 9780802141439
• Binding: Paperback
• Number of pages: 288