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Fernando Pessoa was as much a creator of personas as he was of poetry, prose, and criticism. He wrote under numerous "heteronyms," literary alter egos with fully fleshed identities and writing styles, who supported and criticized each other's work in the margins of his drafts and in the literary journals of the time. Ranging widely over the possibilities of language, Pessoa's poetry echoes symbolist verse, Portuguese folk song, and futurist manifesto. From spare minimalism to a revolutionary exuberance that recalls Leaves of Grass, Pessoa's oeuvre was radically new and anticipated contemporary literary concerns to an unnerving degree. The first comprehensive edition of Pessoa's poetry in the English language, Fernando Pessoa & Co. is a work of extraordinary depth and poetic precision.
"His verse is as searing as that of Rilke or Mandelstam."-The New York Times Book Review
"Zenith's selection of Pessoa is a beautiful one-volume course in the soul of the twentieth century."-Booklist
"Remarkable . . . rife with kindred moments of surprising and paradoxical self-reflection . . . An arresting . . . body of work, punctuated with compact, discomfiting epiphanies. It is impossible to do justice to the power and range of the poems."-Newsday
"Portugal's greatest poet since Camons . . . Zenith not only edits wisely, he translates magnificently. . . . English readers can at long last appreciate the wide range of talent, craft, intellect, and poetic achievement present in Pessoa & Co."-Christopher Sawyer-Lauanno, The Boston Book Review
Fernando Pessoa was born in Lisbon and spent his adult life there, earning a modest living as a commercial translator. During his lifetime he published little of his vast body of work, most of which appeared posthumously. Richard Zenith's many translations include The Book of Disquietude, Pessoa's major prose work. He has received grants from the Guggenheim Foundation and the National Endowment for the Arts.
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