Premio Flaiano given by the Istituto Italiana di Cultura
Over the past twenty-five years, Italy's film industry has produced a remarkable number of award-winning international art-house hits, among them Cinema Paradiso and Life Is Beautiful. Despite these successes, Italian cinema is in a state of crisis: ticket sales for domestic films, which plummeted in the l980's, are only now beginning to recover; television deregulation has engendered a popular culture largely dependent on American programming; and the passing of an entire generation of brilliant auteurs―Rossellini, Viscounti, Pasolini, Antonioni, and Fellini―extinguished the revolutionary impulse which had characterized Italian filmmaking since the Second World War.
In After Fellini, Millicent Marcus contends that in the late 1980s and 1990s, a new wave of Italian filmmakers has transcended these obstacles and reasserted Italy's importance in world cinema. Through in-depth critiques of such acclaimed films as The Last Emperor,Caro Diario, and Stolen Children, as well as the immensely popular Cinema Paradiso and Life Is Beautiful, Marcus details how today's auteurs have both reflected and resisted Italy's shifting social, political, and cultural identity, and created a body of work that signals a new beginning for Italian cinema.
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"Millicent Marcus's book offers new conclusions about continuities and changes in the mapping of cinematic landscapes. Nothing in English rivals her interpretations of Visconti's Bellissima, Rosi's Three Brothers and The Truce, Amelio's Stolen Children, Benigni's Life Is Beautiful, and Moretti's Caro diario. After Fellini will become the benchmark for any further study of contemporary Italian cinema."—Gaetana Marrone, Princeton University
"To open this book is to walk into Marcus' own Cinema Paradiso where the present and the past of Italian cinema deliciously mingle. Anyone disappointed with what the movies have become will be restored by her acuity, her erudition, and by the warmth of her prose as she fondly evokes what remains the most marvelously human of national cinemas."—Dudley Andrew, Yale University
Millicent Marcus is Mariano DiVito Professor of Italian Studies in the Department of Romance Languages and Director of the Center of Italian Studies at the University of Pennsylvania.
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Book Description Condition: New. 2002. Paperback. New. Seller Inventory # P004260
Book Description Condition: New. Book is in NEW condition. 1.43. Seller Inventory # 0801868475-2-1
Book Description Soft Cover. Condition: new. Seller Inventory # 9780801868474
Book Description PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WJ-9780801868474
Book Description Condition: New. Examines the Italian films of the last two decades of the 20th century which managed to transcend the decline of Italian cinema's prominence within the industry. The author interprets, in detail, a body of work which established an independent profile for the Italian cinema of the 80s and 90s. Num Pages: 432 pages, 34, 34 black & white halftones. BIC Classification: 1DST; 3JJPN; 3JJPR; APF; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 231 x 163 x 24. Weight in Grams: 636. . 2002. Paperback. . . . . Seller Inventory # V9780801868474
Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Through in-depth critiques of such acclaimed films as The Last Emperor,Caro Diario, and Stolen Children, as well as the immensely popular Cinema Paradiso and Life Is Beautiful, Marcus details how today's auteurs have both reflected and resisted Italy's shifting social, political, and cultural identity, and created a body of work that signals a new beginning for Italian cinema. Seller Inventory # B9780801868474
Book Description Paperback. Condition: Brand New. illustrated edition. 392 pages. 9.00x6.25x0.75 inches. In Stock. Seller Inventory # __0801868475
Book Description Condition: New. Examines the Italian films of the last two decades of the 20th century which managed to transcend the decline of Italian cinema's prominence within the industry. The author interprets, in detail, a body of work which established an independent profile for the Italian cinema of the 80s and 90s. Num Pages: 432 pages, 34, 34 black & white halftones. BIC Classification: 1DST; 3JJPN; 3JJPR; APF; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 231 x 163 x 24. Weight in Grams: 636. . 2002. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780801868474
Book Description PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WJ-9780801868474
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 1.36. Seller Inventory # Q-0801868475