From the Back Cover:
The author was the first serving SAS commander to write about the modern SAS. He describes the part played by the SAS in what was probably the most successful counter-insurgency campaign ever fought: the Dhofar war of 1969-76. Yet, the SAS's part in supporting the Sultan of Oman's Armed Forces was kept secret from the British public and is still unknown save to a few. The first edition of this book, written in 1977 under the title SAS Operation Oman took three years to clear with the censors before it could be published. It is still studied at the British Army Staff College as a text book on how a counter-insurgency campaign should be conducted. The aim was not to kill the enemy but to persuade them to join the government forces instead. Their only fault was that 'they did not know the truth'. The task of the SAS was to retrain these former guerillas, the firqats, reorganise them and lead them back to fight against their old comrades-in-arms. Their success was to expose the so-called 'historic inevitability' of Communist revolution for the myth it was.
From Library Journal:
Miller, editor of the Peale Family papers at the Smithsonian's National Portrait Gallery, has reached a milestone with the publication of the fourth volume of the Peales' papers, which concludes with the death of patriarch Charles Willson Peale. A popular selection of the complete papers published in microform in 1980, the Peale papers thus far let us hear the voices of one of America's most interesting families. Best known for his natural history museum in Philadelphia, C.W. Peale was also an important artist, inventor, and patriot. His children, who were lesser artists, will be featured in future volumes of papers. The series is an essential purchase for collections in American art and history. Concurrently with the letters, Miller has orchestrated an exhibition, traveling to Philadelphia, San Francisco, and Washington, of the artistic works of C.W. Peale and his optimistically named offspring Titian, Raphaelle, Rubens, and Rembrandt. The catalog features essays by Miller on the lives and nine art historians on individual artists or aspects. The color is good, there is minimal repetition between the essays, and the book is a thorough survey of the Peales' often attractive and important artwork. A pleasing introduction to this important American cultural dynasty, this is recommended for all collections.?Jack Perry Brown, Art Inst. of Chicago Lib.
Copyright 1997 Reed Business Information, Inc.
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