About the Author:
Loretta Lynn marked her fortieth anniversary in show business in the year 2000. A mother at fourteen, she had four children by the time she was eighteen and taught herself to play the guitar. She became a member of the Grand Ole Opry in 1963, and the following year, her first album went Number 1. She was duet partners with Ernest Tubb and the late Conway Twitty, and recorded songs both beloved and controversial (like "The Pill" and "Rated X") as a solo artist. Her first book,Coal Miner's Daughter, hit the New York Times bestseller list and became an Oscar-winning film. She continues to perform and to command a devoted audience. Loretta Lynn lives in Hurricane Mills, Tennessee.
Patsi Bale Cox collaborated on the New York Times bestsellingNickel Dreams, the autobiography of Tanya Tucker, and on The View from Nashville andFifty Years Down a Country Road with Ralph Emery. She is a member of the Grammy nominating committee in the liner note category and lives in Nashville, Tennessee.
From Publishers Weekly:
When asked to write her first memoir, Lynn was in her early 30s: "I hadn't never done nothing with my life except sing and have babies, and I didn't think I had a life to talk about." But Coal Miner's Daughter, the story of the dirt-poor Kentucky girl who married at 14, had four of her six children before she was 21 and went on to become one of country music's most successful recording artists, captured the American imagination. In this follow-up, Lynn mostly focuses on her marriage and the trials and pleasures of Nashville stardom, including fond recollections of friends like Conway Twitty and Tammy Wynnette. Lynn admits that the passing of her husband, Doo drunk, abusive, womanizing and yet her most loyal, trusted companion in 1996, freed her to write more openly. There are no stunning revelations here, rather a series of small, genuine ones about family and career. Though her grammar may make purists flinch ("I thought me and Doo was no longer husband and wife just because he throwed me out"), Lynn's literary voice is as natural and endearing as her songs. Many tales have a conspiratorial tone, and Lynn is quite willing to incriminate herself ("I ain't proud of that story or this next one, but this one has such a good ending I got to tell it anyway"). Honest and always entertaining, Lynn's memoir should delight country music fans and perhaps win her some new ones.
Copyright 2002 Cahners Business Information, Inc.
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