About the Author:
Laurence Shames has been a New York City taxi driver, lounge singer, furniture mover, lifeguard, dishwasher, gym teacher, and shoe salesman. Having failed to distinguish himself in any of those professions, he turned to writing full-time in 1976 and has not done an honest day's work since. His basic laziness notwithstanding, Shames has published more than twenty books and hundreds of magazine articles and essays. Best known for his critically acclaimed series of Key West novels, he has also authored non-fiction and enjoyed considerable though largely secret success as a collaborator and ghostwriter. Shames has penned four New York Times bestsellers. These have appeared on four different lists, under four different names, none of them his own. This might be a record. Born in Newark, New Jersey in 1951, to chain-smoking parents of modest means but flamboyant emotions, Shames graduated summa cum laude from NYU in 1972 and was inducted into Phi Beta Kappa. Shortly after finishing college, he began annoying editors by sending them short stories they hated. He also wrote longer things he thought of as novels. He couldn't sell them. By 1979 he'd somehow passed himself off as a journalist and was publishing in top-shelf magazines like Playboy, Outside, Saturday Review, and Vanity Fair. In 1982, Shames was named Ethics columnist of Esquire, and also made a contributing editor to that magazine. By 1986 he was writing non-fiction books whose critical if not commercial success first established his credentials as a collaborator/ghostwriter. His 1991 national bestseller, BOSS OF BOSSES, written with two FBI agents, got him thinking about the Mafia. It also bought him a ticket out of New York and a sweet little house in Key West, where he finally got back to Plan A: writing fiction. Given his then-current preoccupations, the novels--beginning with FLORIDA STRAITS--naturally featured palm trees, high humidity, dogs in sunglasses, and blundering New York mobsters. Having had the good fortune to find a setting he loved and a wonderfully loyal readership as well, Shames wrote eight Key West novels during the 1990s, before taking a decade-long detour into screenwriting and collaborative work. In 2013, he returned to his favorite fictional turf with SHOT ON LOCATION--a suspenseful and hilarious mix of Hollywood glitz and Florida funky. TROPICAL SWAP, Shames’ tenth Key West novel, tells the riotous tale of a home exchange that sounds too good to be true, and is.
From Publishers Weekly:
Playing Boswell to a mafia don leads a small-time reporter into big-time trouble in Shames's third, and not up to par, Key West seriocomic thriller (after Florida Straits and Scavenger Reef). Godfather Vicente Delgatto, 76, has moved to Key West but is no more retired than Meyer Lansky was in Miami. Still, Vincente's bilious past is catching up to him, so he decides to write his autobiography, using as his ghostwriter Arty Magnus, a hack reporter for the Key West Sentinel. Though Vincente's half-Jewish younger son has urged him to write the book, his elder son, the full-Sicilian Gino Delgatto, hates the idea. When Gino, a money-mad egocentric and vulgarian, tries to muscle in on union vigorish in Miami and gets kidnapped by rival mobsters, he saves himself by spilling the secret about his father's book. Soon, ghostwriter Arty finds himself chased by mobsters who plan to kill him as a warning to Vincente to forget the book-and by the FBI, who want Arty's notes in order to nail the mob. Shames's ape-talking thugs and plaster-of-paris wiseguys are engaging on a sitcom level, but this tale, though sometimes quite funny, has neither the richness of word and depth of feeling of an Elmore Leonard nor the inspired wackiness of a Carl Hiaasen. Author tour.
Copyright 1994 Reed Business Information, Inc.
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