About the Author:
George Elliott Clarke is a bestselling, award-winning poet, playwright and screenwriter. He is the author of six books of poetry, including WHYLAH FALLS, a 2002 CBC Canada Reads finalist, and EXECUTION POEMS, winner of the 2001 Governor General’s Award for Poetry. He has just been named the second writer to receive a prestigious Trudeau Foundation Fellowship, an award worth up to $225,000 over three years, similar to the MacArthur Genius Award in the United States. A seventh-generation African-Canadian, Clarke was born in Windsor, Nova Scotia, near the Black Loyalist community of Three Mile Plains. Previously an assistant professor of English and Canadian Studies at Duke University, Clarke also served as the Seagrams Visiting Chair in Canadian Studies at McGill University. He lives in Toronto, where he is currently the E.J. Pratt Professor of Canadian Literature at the University of Toronto, but also owns land in Nova Scotia.
From Publishers Weekly:
African-Canadian poet Clarke returns to the subject he treated previously in verse (Execution Poems) in this lyrical, original debut novel: the true story of the 1949 murder of a taxi driver in New Brunswick, Canada, by Clarke's first cousins, brothers George and Rufus Hamilton. The author and his characters are descended from African-Americans who immigrated to Nova Scotia at the end of the Revolutionary War, and he spins his tale in "Blackened English." The result is sparkling, powerfully inventive prose. Clarke begins the brothers' story with their impoverished, part black, part Mi'kmaq Indian parents, Asa (a violent "patriarch who felt commissioned to destroy his family") and the beautiful, tawny-skinned Cynthy. For George and Rufus ("just two black boys blackened further by Depression"), this lineage dooms them from birth, if not their very conceptions in Three Mile Plains, Nova Scotia. George is the simpler brother, willing to make an honest living, while Rufus, the younger brother but the leader, is brighter, more creative and ruthless—he only wants "to plot piano gigs and casual thefts." Petty crime escalates to murder in a desperate hope for cash, and Clarke eloquently plots the Hamiltons' tragic trajectory toward the crime for which they hang.
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