From Kirkus Reviews:
In a vivid, detailed, and powerful depiction of political and cultural life in Berlin from before WW I to 1938, Gill (The Journey Back from Hell--not reviewed, etc.) conveys the passion, diversity, energy, as well as the waste, rage and alienation that inspired the art, the politics, and ultimately the Second World War. Gill details the warring artistic ideologies of the time with an intensity equal to that with which he treats the political clashes: the nihilism and discontent of Dadaism; the architecture of Gropius and van der Rohe; the experimental art of Kandinsky and Klee; the obscurities of poets and novelists such as Rilke and Mann; the social commentary of playwrights such as Brecht and Weil; the film industry, which was reborn in a city where the air is ``like a dry white wine''; and the sense of possibility and novelty created by a remarkable concentration of talent that included publishers, entrepreneurs, and enthusiasts of all stripes. Behind the glamour of all that creativity, however, there was a level of decadence, that was reflected in a preoccupation with sex, crime, and suicide, exploited in the press, and captured so brilliantly in Isherwood's Good-bye Berlin. The cultural diversity included the rioting lower classes, the politically dispossessed trade unions, the displaced Russian emigr‚s (Stanislavsky, Eisenstein, Gorky, Pavlova), and the Jews, who were prominent in the sciences, the universities, and the entertainment industry until shortly before 1933, when Hitler initiated the campaign of anti-Semitism that led to the Holocaust. Against the great cultural background and the creative individualism of the artists, the emergence of Hitler is all the more sinister. While scrupulously maintaining his documentary perspective, Gill reveals the conditions that generated those crucial concerns about art and politics with which contemporary societies--the free and the unfree--are still preoccupied. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
From Publishers Weekly:
This fast-paced, wonderfully evocative chronicle of interwar Berlin opens with the Communist revolution of 1918, which nearly took over Germany; it closes on Kristallnacht , Nov. 9, 1938, when Nazis burned and pillaged Jewish property and synagogues. Drawing primarily on German sources, British writer Gill re-creates the creative frenzy of a city that nurtured Bertolt Brecht, Max Reinhardt, Josephine Baker, Kathe Kollwitz, George Grosz, Arnold Schonberg, Christopher Isherwood, satirical journalist Kurt Tucholsky and dozens more against a backdrop of economic chaos and rising Nazism. He charts the Weimar Republic's doomed attempt to introduce democratic ideas to a wrecked, disillusioned people craving order, and he includes a wealth of fresh material on Berlin's cafe society, criminal underworld, theater, arts and its regimented university system--which emphasized militarist nationalism and actively harassed Jewish students and teachers. Photos.
Copyright 1994 Reed Business Information, Inc.
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