Leonard Woolf: A Biography - Hardcover
The first ever biography of the publisher, writer, activist, and husband at the heart of the Bloomsbury Group.
Many people today know Leonard Woolf through the surname of his wife, Virginia, or his role in supporting her through her mental illness, depicted in films like The Hours. Some critics see him as his wife’s oppressor. In Victoria Glendinning’s biography, for the first time we see the whole man.
As well as being a prominent member of the Bloomsbury Group, Leonard was a formidable figure in his own right, first as an innovative civil administrator in Ceylon, then as a writer, leading light of the Fabian society, and publisher of T.S. Eliot, E.M. Forster, Robert Graves, Katherine Mansfield, and of course Virginia Woolf.
Victoria Glendinning brings careful research and new material to bear on every aspect of Woolf’s life, painting an engrossing portrait of a man who was ahead of his time, an unapologetic socialist and passionate anti-racist. Her engaging biography brings new perspective to our understanding of the man, his work, and the Bloomsbury circle and its achievements.
Many people today know Leonard Woolf through the surname of his wife, Virginia, or his role in supporting her through her mental illness, depicted in films like The Hours. Some critics see him as his wife’s oppressor. In Victoria Glendinning’s biography, for the first time we see the whole man.
As well as being a prominent member of the Bloomsbury Group, Leonard was a formidable figure in his own right, first as an innovative civil administrator in Ceylon, then as a writer, leading light of the Fabian society, and publisher of T.S. Eliot, E.M. Forster, Robert Graves, Katherine Mansfield, and of course Virginia Woolf.
Victoria Glendinning brings careful research and new material to bear on every aspect of Woolf’s life, painting an engrossing portrait of a man who was ahead of his time, an unapologetic socialist and passionate anti-racist. Her engaging biography brings new perspective to our understanding of the man, his work, and the Bloomsbury circle and its achievements.
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About the Author:
Victoria Glendinning is the Whitbread Award-winning biographer of Anthony Trollope, Elizabeth Bowen, Edith Sitwell, Vita Sackville-West, Rebecca West, and Jonathan Swift. Her novels, The Grown-Ups, Electricity, and Flight, were critical and commercial successes. She lives in London, England.
Excerpt. © Reprinted by permission. All rights reserved.:
1
In the Beginning
Having a child is problematic, wrote Leonard Woolf when in his eighties, and childless. It concerns the “new human being” as much as its parents, since this new human being is born without having given its consent. One should think twice, “from the point of view of the hypothetical child.” He himself was born, without his consent, on 25 November 1880. There he is, Leonard Sidney Woolf, in the Census returns for 1881, a five-month-old baby.
Everyone, holding a baby, has to wonder what life holds in store for him. No one could have foreseen what would happen to this one. He grew up to become a core member of a group of intimate and talented friends who continue to inspire interest and analysis a century later. In his early twenties, as a colonial servant, he administered ten thousand square miles of village and jungle. He became an anti-imperialist, a Marxist “of a sort” and a socialist, and was an éminence grise of the early Labour Party in Britain as it became a party of government. His adult life spanned the two world wars; his writings informed the charter of the League of Nations and, as polemical journalist, as editor and author, his lifelong mission was to prevent the barbarism and insanity of future war through international cooperation and collective security.
His anguished intelligence saw all too clearly both the failure of this great project, and what he saw as the failure of the Left in Britain. He had his own demons to fight in public and in private life, being a man of extremes and contradictions: ferocious and tender, violent and self-restrained, opinionated and nonjudgmental. Belief in reason pulled him one way, irrational passion another. He was disconcerting, inner-directed, attractive, always an outsider. The constants in his character were honesty, persistence and energy. He played all games, competitively. He was a dedicated gardener. He had an affinity with animals. Nonstop work — at his writing, at his political activities, in the garden — came naturally to him.
He liked women, and women liked him. (“I have always been greatly attracted to the undiluted female mind, as well as to the female body.”) With his wife, he founded the Hogarth Press. He had no idea when he married Virginia Stephen how her mental instability would determine and distort his own trajectory, nor that she would become one of the most famous English authors of the twentieth century. He knew how to love, and she was the love of his life. After her suicide came change and a new attachment. In his last decade, five volumes of autobiography won him respect and recognition. He left not only distinguished books on international relations, but also satirical squibs, a great mass of literary and political journalism, a play, poetry, short stories, and two novels.
Eclipsed in the literary canon, and in the public imagination, by the illustriousness of Virginia Woolf — his family name, when standing alone, commonly signifying her, not him — he is a dark star. “You cannot escape Fate,” he wrote at the end of his life, “and Fate, I have always felt, is not in the future, but in the past.”
In the Beginning
Having a child is problematic, wrote Leonard Woolf when in his eighties, and childless. It concerns the “new human being” as much as its parents, since this new human being is born without having given its consent. One should think twice, “from the point of view of the hypothetical child.” He himself was born, without his consent, on 25 November 1880. There he is, Leonard Sidney Woolf, in the Census returns for 1881, a five-month-old baby.
Everyone, holding a baby, has to wonder what life holds in store for him. No one could have foreseen what would happen to this one. He grew up to become a core member of a group of intimate and talented friends who continue to inspire interest and analysis a century later. In his early twenties, as a colonial servant, he administered ten thousand square miles of village and jungle. He became an anti-imperialist, a Marxist “of a sort” and a socialist, and was an éminence grise of the early Labour Party in Britain as it became a party of government. His adult life spanned the two world wars; his writings informed the charter of the League of Nations and, as polemical journalist, as editor and author, his lifelong mission was to prevent the barbarism and insanity of future war through international cooperation and collective security.
His anguished intelligence saw all too clearly both the failure of this great project, and what he saw as the failure of the Left in Britain. He had his own demons to fight in public and in private life, being a man of extremes and contradictions: ferocious and tender, violent and self-restrained, opinionated and nonjudgmental. Belief in reason pulled him one way, irrational passion another. He was disconcerting, inner-directed, attractive, always an outsider. The constants in his character were honesty, persistence and energy. He played all games, competitively. He was a dedicated gardener. He had an affinity with animals. Nonstop work — at his writing, at his political activities, in the garden — came naturally to him.
He liked women, and women liked him. (“I have always been greatly attracted to the undiluted female mind, as well as to the female body.”) With his wife, he founded the Hogarth Press. He had no idea when he married Virginia Stephen how her mental instability would determine and distort his own trajectory, nor that she would become one of the most famous English authors of the twentieth century. He knew how to love, and she was the love of his life. After her suicide came change and a new attachment. In his last decade, five volumes of autobiography won him respect and recognition. He left not only distinguished books on international relations, but also satirical squibs, a great mass of literary and political journalism, a play, poetry, short stories, and two novels.
Eclipsed in the literary canon, and in the public imagination, by the illustriousness of Virginia Woolf — his family name, when standing alone, commonly signifying her, not him — he is a dark star. “You cannot escape Fate,” he wrote at the end of his life, “and Fate, I have always felt, is not in the future, but in the past.”
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- PublisherMcClelland & Stewart
- Publication date2006
- ISBN 10 0771033338
- ISBN 13 9780771033339
- BindingHardcover
- Edition number1
- Number of pages512
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McClelland & Stewart
(2006)
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ISBN 13: 9780771033339
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