About the Author:
Margaret Avison’s work has, over the course of a career spanning more than forty years, won numerous awards, including two Governor General’s Awards and, for Concrete and Wild Carrot, the Griffin Poetry Prize. Her books of poetry include Always Now: The Collected Poems and, most recently, Momentary Dark. She holds three honorary doctorates and is an Officer of the Order of Canada. Margaret Avison died in July 2007, in Toronto
Excerpt. © Reprinted by permission. All rights reserved.:
POLITICAL PLOY PERHAPS
Is
Humpty Dumpty a
was?
His all-apartity
awash
in royal horses?
(as likely to squash
that goggle-eyed face
in the grass as
to reass-
emble a torso from as
many bits as hash)?
Perhaps poor Humpty had
to tumble so we’d see
all the pieces we need
to make democracy.
A Word about the Poem by Margaret Avison
Three strands came together suddenly to release this poem: remembering Iona and Peter Opies’ disclosure, probably in The Lore and Language of Schoolchildren, of a political dimension in nursery rhymes; recalling an illustration of Humpty Dumpty in a child’s book, his pudginess and protruding eyes, which merged with newspaper photographs of public figures; the feel in the fingers of the name “Humpty Dumpty,” wood carved in an irregularly rounded shape.
In a poem, the physical feel of a word-counter matters more than its meaning (in this instance, some significant person’s “fall” from power after perceived indecisiveness, i.e. “sat on a wall”).
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