Roddy Doyle is an internationally bestselling writer. His first three novels—
The Commitments,
The Snapper, and the 1991 Booker Prize finalist
The Van—are known as
The Barrytown Trilogy. He is also the author of the novels
Paddy Clarke Ha Ha Ha (1993 Booker Prize winner),
The Woman Who Walked into Doors, and
A Star Called Henry, and a non-fiction book about his parents,
Rory & Ita. Doyle has also written for the stage and the screen: the plays
Brownbread,
War,
Guess Who's Coming for the Dinner, and
The Woman Who Walked Into Doors; the film adaptations of
The Commitments )as co-writer),
The Snapper, and
The Van;
When Brendan Met Trudy (an original screenplay); the four-part television series
Family for the BBC; and the television play
Hell for Leather. Roddy Doyle has also written the children's books
The Giggler Treatment,
Rover Saves Christmas, and
The Meanwhile Adventures and contributed to a variety of publications including
The New Yorker magazine and several anthologies. He lives in Dublin.
A warm, frank, and very funny account of family life and pregnancy as Irish writer Doyle (The Commitments, 1989; also see below) continues the saga of the endearing working-class Rabbitte family of Barrytown, Dublin. A playwright as well as novelist, Doyle tells the story of 19- year-old Sharon Rabbitte's surprise pregnancy almost entirely in dialogue. In less gifted hands, the experience would be claustrophobic, but with Doyle the reader becomes the undetected fly on the wall able to relish the unguarded talk as Sharon plucks up courage to relay the news first to her mom and dad (Veronica and Jimmy, Sr.) and her siblings, and then to the toughest group--her girlfriends--who, ribald and skeptical, want to know everything. But Sharon isn't telling who the father of her ``snapper'' is, which naturally fuels speculation, especially when the father of one of her friends insists he's responsible. Sharon tries to deflect the gossip by claiming that while drunk she'd been seduced by a nameless Spanish sailor, ``but she knew this as well: everyone would prefer to believe that she'd got off with Mr. Burgess. It was a bigger piece of scandal and better gas.'' For a while, Jimmy, Sr., feels his friends at the pub are laughing at him, and he blames Sharon; but Jimmy, a wonderfully complex and good man, realizes he's being unfair and, to make up, concentrates on Sharon's pregnancy in earnest. From library books, he learns as much about sex as pregnancy--information that he shares with his pub pals while keeping close tabs on Sharon's condition: ``She was getting really tired of her dad; all his questions--he was becoming a right pain in the neck.'' There are the usual ups and downs of family life, but when Sharon sees her baby ``and about as Spanish- looking as--she didn't care. She was gorgeous. And hers.'' Life and pregnancy as it really is: scatological, unsentimental, and, in spite of it all, with lots to laugh at. Not a false note anywhere. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.