Review:
When Frank Rich was an anxious, unhappy kid marooned in the suburbs of Washington, D.C., the fact his parents were divorced was discussed "only in the whisper that Grandma Ross used when talking about being Jewish or having cancer." Like so many others who feel painfully different, Frank found refuge in the theater, particularly the classic musicals of Broadway's golden age. After an enchanted trip to see Bells Are Ringing in 1956 when he was 7, Rich writes, "I was now destined to trace my childhood almost exclusively through an accelerating progression of plays, good and bad, that would captivate and kidnap me." Many of the tickets came from his stepfather, who was sometimes generous and fun but often frighteningly abusive. Once again, the theater helped him cope: when Frank saw Gypsy, its portrait of troubled family relations "made me feel less lonely." Similarly, when chronicling his attendance at such legendary shows as Bye Bye Birdie, Fiddler on the Roof, and A Funny Thing Happened on the Way to the Forum, among many others, Rich concentrates on his responses rather than the productions themselves. What interests him most here is the theater's power to shape lives. Paying tribute to the men who both shared and cultivated his passion for the theater, Rich draws touching portraits of Scott Kirkpatrick, manager of Washington's National Theatre, who hired young Frank as a ticket taker, and of Clayton Coots, a company manager who befriended him. Those who admired (or excoriated) Rich's work as drama critic for The New York Times will find Ghost Light an intriguing look at the personal history that lies behind his critical judgments. --Wendy Smith
From the Back Cover:
"This is an absolutely marvelous memoir, the best I have read in recent years. It recounts, passionately and often painfully, the story of an endearing young child from a broken home who finds refuge and finally redemption in the world of theater. It is a thoroughly absorbing tale, told beautifully and without a hint of self-pity. It is everything a literary memoir ought to be." --Doris Kearns Goodwin
"Ghost Light is not so much a memoir as an exorcism. Frank Rich revisits those defoliated battlegrounds we call family and childhood, picks his way through the still live booby traps of memory, and returns if not at peace then at least with the shards of understanding."
--John Gregory Dunne
"Frank Rich's Ghost Light is a stunning book. He manages to weave memories of childhood and theater into a complicated and deeply touching pattern. For anyone who remembers or still believes that their true lives begin when the curtain goes up, Ghost Light will illuminate their passion. This is a beautifully written, honest book. As in the best of theater, any reader will laugh, cry, and be very moved by the end."
--Wendy Wasserstein
"Ghost Light is a superb memoir--rich in anecdote, dense in theme. It's a spellbinding coming-of-age tale, a meditation on art and youth in the '60s, a horror story of urban family life. Deft, raucous, occasionally terrifying--you applaud Frank Rich for his journey and his brilliant skill in delineating it."
--James Ellroy
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