From Publishers Weekly:
In an attempt to weave computer science, pagan folklore and Elizabethan poetry together, Ball (coauthor, with Anne McCaffrey, of PartnerShip) delivers an intellectually overcooked love story with a plot so contrived that by the time the main character has unlocked the so-called mystery of her buried past, the reader has long since grown bored of it. Ellen Ainsley is a Texas computer programmer who, tormented by strange visions and blackouts, has abandoned her graduate work in Renaissance vocal music until she reluctantly accepts an invitation to sing in a reenactment of a 400-year-old masque in rural England. There she uncovers her former life as a 16th-century maiden whose significant other has been kidnapped by the Queen of the faerie world. Ellen's insipid internal monologues ("she shivered in the imagined dark... almost as though she stood there now-no, not now; in some other time. As some other person.") reveal Ball's lack of originality despite an imaginative premise. Ball takes herself too seriously for someone who had to borrow pieces of verse from Sir Walter Raleigh, Thomas Campion and other period poets to "compose" the songs of her fictitious masque.
Copyright 1994 Reed Business Information, Inc.
From Booklist:
Ball's latest is a serious new version of the classic fantasy plot concerning the rescue of a mortal from the land of faerie. The mortal here is a young Englishman snatched away in 1594; his rescuer in 1994 is his reincarnated fianc{‚}ee. The romance is extremely well researched--and not only in folklore--and setting, characterization, and plot development are all carefully crafted. It is hard, though, to entirely ignore the exceedingly slow pace, not to mention Ball's self-consciousness of her own erudition, which she does, however, genuinely possess in full measure. Ball is definitely an unconventional fantasist, not likely to be exciting to all fantasy readers, yet much better than average for the genre, and growing with each book. Roland Green
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