From the Author:
It's a common-held belief that an author injects some part of themselves into their work. In the case of The List, this news is probably a little worrying for my Mother. However, as accurate as this assertion may be, it's certainly not to be taken literally with regards to this work; I harbour no dark fantasies about embarking on some insane urban adventure armed with knives and an insatiable blood-lust. I mean, I give to several charities, have rescued countless stray animals and even stop the bloody shower to save insects from drowning! Hardly the psychological make up of a killer.
Instead, what it means is that the writer, especially in this case, has used the medium to express his/her inner self in a constructive way. Ok, so The List is hardly a positive tale, but writing such a dark, angry, violent story is a constructive way to express negative emotion in a way that doesn't hurt anybody. It's not a story I want to live out; it's certainly not a story I want emulated by someone who can't distinguish fantasy from reality (if you're thinking of doing so, please just take a few deep breaths, have a cuppa and a piece of carrot cake and ring your mother); it is, quite simply, a mode of expression.
Allegorically, The List serves as a statement on any unseen forces that seek to condition us; inhibit us; control us. I am not referring specifically to religion here, though it is the obvious one. Moreover, it is an observation of any beliefs, paradigms and attitudes we so desperately cling to without pause for serious contemplation of their influence. Maybe we feel that, bereft of them, our lives - indeed our identities - would lose form... without considering such a thing may just be a blessing in and of itself.
So, there you go. A small insight into why this story came into being. I would love to know your thoughts - positive or negative - on The List. Then again, maybe you're just after the recipe for carrot cake?
Review:
"Days later I'm still digesting the symbolism of its emotionally-charged ending, dissecting events and reinterpreting their meaning over and over."
Brokenfrontier.com
"You won't find anything else quite like this out there. This is something that you can get so much out of; you'll be thinking about it and examining it and then find yourself going back again."
Morehorror.com
"Bedford controls the story and the reader's access to it masterfully."
Gary Chaloner (Will Eisner's John Law)
"Bedford, Pop and Bonin deliver a masterpiece."
Scaryminds.com
"...dense with meaning and psychologically challenging affairs and intentionally throws you off-center with not only its approach but also its execution that refuses to be pinned down by your senses. Just when you feel you are able to decipher the deeds that are being done, The List delivers a series of revelations that will no doubt electrify..." Supermarcey.com
"...so much more than a simple hack and slash fest featuring gore just for the sake of gore... kept me glued to this book all the way through to its unexpected revelation..." Comicsonline.com
"Henry Pop's stark black and white art is coloured only by Tom Bonin's murky inks, making this puzzle one that requires the participation of the reader (as all good comics should). Pop leaves visual clues as to source of the angel's influence throughout, but it may take several reads to spot them all. Like the narrative, the art goes to the dark side regularly, with bloody reveals often a turn of a page away. This is visceral stuff, and it's only on repeat readings that the shock factor subsides, allowing The Son's misguided words and adherence to a covenant to sink in." Behindthepanels.net
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