About the Author:
Alan Bennett has been one of our leading dramatists since Beyond the Fringe in the 1960s. His television series Talking Heads has become a modern-day classic. The History Boys won numerous awards both at the National Theatre, London, and on Broadway. Also at the NT: The Habit of Art, People and Cocktail Sticks. He received an Academy Award nomination for his screenplay for The Madness of King George, and appeared with Dame Maggie Smith in a radio adaptation of his The Lady in the Van. His collection of prose Untold Stories won the PEN/Ackerley Prize for autobiography. Fiction includes The Uncommon Reader and Smut: Two Unseemly Stories. His most recent publication is Six Poets: Hardy to Larkin.
Review:
Praise for Alan Bennett
A prose stylist of disarming grace and sly humor . . . Surprising, funny, and deeply affecting.” Charles McGrath, The New York Times Book Review
One of the greatest living English writers.” David Thomson, The Nation
There is probably no other distinguished English man of letters more instantly likable than Bennett.” Michael Dirda, The Washington Post Book World
Praise for Six Poets
Enjoyable, informative, entertaining . . . [An] absorbing anthology.” The Guardian (London)
Praise for Smut
Beautiful and filthy” Simon Hattenstone, The Guardian
Tender and comic . . . It is good, old-fashioned British humour with the lightest of subversive twists” Arifa Akbar, Independent (London)
Artfully entertaining . . . The stories have a dark, knowing shrewdness about erotic mischief, young and old . . . As always the writing is tonally perfect, laced with deadpan as well as bedpan comedy.” Simon Schama, Financial Times
Praise for The Uncommon Reader
Blends the comic and the poignant so smoothly it can only be by Bennett . . . His account of the Queen’s adventures often made me laugh out loud.” Jeremy McCarter, The New York Times Book Review
In conventional fairy tales, a humble being is transformed into a noble one, but in The Uncommon Reader, Alan Bennett’s comic fable about the forbidden pleasures of serious reading, the status-magic works in reverse . . . such is the power of the written word.” Walter Kirn, O, The Oprah Magazine
An exquisitely produced jewel of a book . . . a savagely Swiftian indignation against stupidity, philistinism, and arrogance in public places, and a passionate argument for the civilizing power of art.” Jane Shilling, The Times (London)
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