Boorman, John Projections 7 ISBN 13: 9780571190331

Projections 7 - Softcover

9780571190331: Projections 7
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The trade publication PROJECTIONS is a forum for film-makers in which the practitioners of cinema write about their craft. This 500th issue collaborates with a prestigious French cinema journal, features a series of essays by Martin Scorsese, pieces by and about actors, and commemorates the 40th anniversary of THE TEN COMMANDMENTS. 60 photos.

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Review:
This issue of Projections was produced in association with the great cinema journal Cahiers du Cinema in honor of its 500th issue. Projections 7 features a 100-page interview with Martin Scorsese that updates and enhances the material covered in Faber and Faber's Scorsese on Scorsese. Rather than approach his career chronologically, Scorsese talks about his love of movies, his influences, and his collaborators. He discusses Robert DeNiro, Brian DePalma, Francis Coppola, and Steven Spielberg; speaks of his passion for British, French, and Italian cinema, as well as for Irish American directors; pays homage to some early independent filmmakers; and talks about the making of Casino. As an extra treat, the Cahiers editors put in their two francs, contributing personal appreciations of the director. Nicolas Saada speaks with Thelma Schoomaker, Scorsese's longtime editor.

And that's just the beginning. Projections 7 also prints an interchange between Jamie Lee Curtis and her mother, Janet Leigh (complementing the talk with father Tony Curtis that appeared in Projections 5), and a conversation between Leigh and Lillian Burns, the drama coach who worked at MGM between 1935 and 1953. Other interviewers question Robert Mitchum, Leslie Caron, and Teresa Wright. Willem Dafoe talks with Francis McDormand, who won the Oscar in 1996 for her performance in Fargo. Appreciations of recently deceased greats such as Marcello Mastroianni, Douglas Sirk, and Frank Capra close the volume. This is another invaluable issue of the only journal devoted exclusively to filmmakers' commentary on their work.

About the Author:
John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was 'Catch Us If You Can' in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making.

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