About the Author:
William A. Ewing is an internationally respected curator and author. His exhibitions have been shown at, among others, the Museum of Modern Art, the Centre Georges Pompidou, the International Center of Photography, the Museum of the Fashion Institute of Technology, the Kunsthaus Zurich, the Serpentine Gallery, and the Musee de l'Elysee, Lausanne, where he served as director from 1996 to 2010. His many publications include The Body: Photoworks of the Human Form (1994), Blumenfeld: A Fetish for Beauty (1996), Airbome: The New Dance Photography of Lois Greenfield (1998), Love and Desire: Photoworks (1999), reGeneration: 50 Photographers of Tomorrow, 2005-2025 (2005), Edward Steichen: In High Fashion---The Conde Nast Years, 1923-1937 (2008) and Face; The New Photographic Portrait (2008).
Nathalie Herschdorfer is a curator and an art historian specializing in the history of photography. She has produced a number of international exhibitions for the Musee de l'Elysee, Lausanne, where she worked as a curator for twelve years, and co-authored several publications, including reGeneration: 50 Photographers of Tomorrow, 2005-2025 (2005), Valerie Belin (2007), Edward Steichen: In High Fashion---The Conde Nast Years, 1923-1937 (2008), Ray K. Metzker: Light Lines (2008) and Face: The New Photographic Portrait (2008).
Review:
"[reGeneration 2's] young photographers move easily from analog to digital photography...boundaries between approaches and media are being blurred in a fertile way, and the good news, given recent public conversation about the death of the medium, is that, at least according to Herschdorfer, `Rather than witnessing the end of photography, we are seeing a new florescence." --Photograph's Snapshots blog, Jean Dykstra, 18-January-2011
"reGeneration2: Tomorrow's Photographers Today asks questions. What are young photographers up to in the 21st century? How do they see the world? Do they respect or do they reject tradition? This book provides visual answers, showcasing the originality and inventiveness of eighty up-and-coming photographers." --THE magazine, Dec/Jan-2011
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