Visual Culture and the Holocaust - Softcover

Softcover

ISBN 10: 0485300974 ISBN 13: 9780485300970

Publisher: The Athlone Press, 2000

Synopsis

A book that looks at both the traditional and the unconventional ways in which the holocaust has been visually represented. The purpose of this volume is to enhance our understanding of the visual representation of the Holocaust - in films, television, photographs, art and museum installations and cultural artifacts - and to examine the ways in which these have shaped our consciousness. The areas covered include the Eichman Trial as covered on American television, the impact of Schindler's List, the Jewish Museum in Berlin, the Isreali Heritage Museums, Women and Holocaust Photography, Internet Holocaust sites and tattoos and shrunken heads, the bodies of the dead and of the survivors.

About this title

From the Back Cover:

How does one represent the Holocaust? What does it mean to visualize it? Despite Theodor Adorno's famous injunction that there can be no poetry after the Holocaust, the past half century has produced repeated attempts to impart that which has been considered beyond the limits of representation. From Steven Spielberg's Schindler's List, Claude Lanzmann's epic documentary project Shoah, to Art Spiegelman's Maus, the visual domain has emerged as a fruitful venue for representing those horrible times.

Visual Culture and the Holocaust takes that domain as its focus. It considers the increasing number of works that claim to give us access to the Holocaust, asking for whom these images are intended and how effective they are at promoting remembrance and understanding. Barbie Zelizer has gathered essays from a group of internationally renowned scholars representing a broad range of disciplines to consider both the traditional and the unconventional ways in which the Holocaust has been visually represented. In addressing film, painting, photography, museum exhibits, television, the Internet, and the body itself as venues for these representations, the essays explore the abilities of these different genres to testify to the tragedy, particularly in relation to the horrific historical fact they seek to translate.

Visual Culture and the Holocaust substantially enhances what we know of the visual representation of the Holocaust. An introduction by the editor provides an important historical and theoretical overview of these efforts as well as a context in which these accomplishments may be understood.

Contributors are Dora Apel, Lawrence Douglas, Miriam Bratu Hansen, Geoffrey Hartman, Marianne Hirsch, Andreas Huyssen, Tamar Katriel, Elizabeth Legge, Yosefa Loshitzky, Anna Reading, Lisa Saltzman, Jeffrey Shandler, Ernst van Alphen, Liliane Weissberg, James E. Young, and Barbie Zelizer.

About the Author:

Barbic Zelizer is the Raymond Williams Term Chair and associate professor at the Annenberg School for Communication at the University of Pennsylvania. She is the author of Remembering to Forget: Holocaust Memory through the Camera's Eye and other books on the media.

About this edition

• Publisher: The Athlone Press
• Publication date: 2000
• ISBN 10: 0485300974
• ISBN 13: 9780485300970
• Binding: Paperback
• Number of pages: 374
• Editor: Zelizer Barbie