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Elizabeth Winthrop has written books in numerous genres for every age group over the course of her long career. Many of her works concern family relationships and are closely linked to the author's experience as a child or a mother. In addition to her many picture books, including Asleep in a Heap, Dumpy La Rue, and Squashed in the Middle, Winthrop has penned chapter books and novels for older children, and her critically acclaimed young-adult novels.
Winthrop grew up in Washington, DC, in "a large, ramshackle, sort of falling-down house. Although we were in the city itself, it was as if we were in the country. There was an acre of woods around our house. There was a stream at the bottom of the house where you could fish for crayfish." There were also plenty of books to capture the imagination, and her favorites included fantasies such as P.L. Travers's Mary Poppins and C.S. Lewis's "Chronicles of Narnia," both of which influenced her own works for children, as well as Charles Dickens' tales and Laura Ingalls Wilder's autobiographical works. Watching her journalist father working helped Winthrop view writing as a serious career. "I would come home from school at three o'clock in the afternoon, and I would hear the keys of his old Underwood typewriter―BANG, BANG, BANG, BANG. And I saw him published and I saw that we had food on the table and shoes on our feet, and so it really dignified the profession of a writer."
Elizabeth attended Sarah Lawrence College with the intention of majoring in creative writing. Following advice, Winthrop went on to take a course in children's-book-writing in her senior year, and after graduation, sought a position in children's-book publishing.
Getting a job with noted editor and author Charlotte Zolotow at Harper and Row, Winthrop recalled the early 1970s as "the golden age of children's books" and con-siders herself privileged to have witnessed it first-hand. Harper and Row had, to my mind, the best people working in children's books, and it was because of Ursula Nordstrom, a legendary, brilliant, quixotic lady. I worked there under her, and that taught me more than I'd ever have been able to learn anywhere else." Winthrop was the assistant to an editor who read incoming manuscripts, and she used the situation to her full advantage. She once observed, "I would clean up her desk―she had a terribly messy desk―and I would put my manuscripts on it. I was constantly shuffling things around so that my manuscript was right on top of her pile. And they read some and turned some down, and then they read Bunk Beds and they liked it and they took it."
People often ask Winthrop why she writes for so many different ages. "It keeps me interested," is her reply. "The year I published a novel for adults (Island Justice) I also wrote three picture books. Island Justice took me two and a half years from the first inkling to the final draft. An idea for a picture b"About this title" may belong to another edition of this title.
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