Review:
So many hyperbolic statements have been made about this novel--from Don DeLillo calling it a "slasher classic," to The Village Voice calling it a "mescaline Slurpee," to The New Yorker comparing it to Orson Welles's "deliciously sleazy" Touch of Evil--that it can be hard to sort out the truth from the hype. The bottom line is that this is a postmodern road novel about mass media, with multiple allusions to horror movies. As the rave review in the premiere horror critique rag, Necrofile, puts it, Going Native is about the "round-the-clock bombardment of inanity and violence that has so thoroughly invaded mundane existence as to render it cartoon-like." If you care about how horror imagery affects modern culture, and you want to have a great time thinking about it, then read this book.
From the Inside Flap:
Going Native is Stephen Wright's darkly comic take on the road novel, in which one man's headlong escape from the American Dream becomes everybody's worst nightmare. Wylie Jones is set: lovely wife, beautiful kids, barbecues in the backyard of his tastefully decorated suburban Chicago house with good friends. Set, but not satisfied. So one night he just walks out, gets behind the wheel of a neighbor's emerald-green Galaxy 500, and drives off into some other life, his name changed, his personality malleable. In Wright's inimitable narrative, we're taken on a joy ride to hell, a rollercoaster of sex and violence and the peculiar mix of the two that is our society today.
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