A Day Away: An Anthology - Softcover
One Summer
A summer spent traveling across America with brooding photojournalist Shade Colby was not celebrity photographer Bryan Mitchell's idea of a dream assignment. She found Shade to be arrogant, cynical...and infuriatingly sexy. Plus they disagreed about everything. But there was one thing they had in common—the fierce attraction for each other they could not deny!
Temptation
Socialite Eden Carlbough knew running a girls' camp wouldn't be easy, but she didn't expect to be run up an apple tree by the little monsters. She was equally surprised to come crashing down into the capable arms of orchard owner Chase Elliot. While her handsome neighbor's overbearing ways were highly irritating, his touch ignited feelings she'd never known....
"synopsis" may belong to another edition of this title.
About the Author:
The room was dark. Pitch-dark. But the man named Shade was used to the dark. Sometimes he preferred it. It wasn't always necessary to see with your eyes. His fingers were both clever and competent, his inner eye as keen as a knife blade.
There were times, even when he wasn't working, when he'd sit in a dark room and simply let images form in his mind. Shapes, textures, colors. Sometimes they came clearer when you shut your eyes and just let your thoughts flow. He courted darkness, shadows, just as relentlessly as he courted the light. It was all part of life, and life—its images—was his profession.
He didn't always see life as others did. At times it was harsher, colder, than the naked eye could see—or wanted to. Other times it was softer, more lovely, than the busy world imagined. Shade observed it, grouped the elements, manipulated time and shape, then recorded it his way. Always his way.
Now, with the room dark and the sound of recorded jazz coming quiet and disembodied from the corner, he worked with his hands and his mind. Care and timing. He used them both in every aspect of his work. Slowly, smoothly, he opened the capsule and transferred the undeveloped film onto the reel. When the light-tight lid was on the developing tank, he set the timer with his free hand, then pulled the chain that added the amber light to the room.
Shade enjoyed developing the negative and making the print as much as, sometimes more than, he enjoyed taking the photograph. Darkroom work required precision and accuracy. He needed both in his life. Making the print allowed for creativity and experimentation. He needed those as well. What he saw, what he felt about what he saw, could be translated exactly or left as an enigma. Above all, he needed the satisfaction of creating something himself, alone. He always worked alone.
Now, as he went through each precise step of developing—temperature, chemicals, agitation, timing—the amber light cast his face into shadows. If Shade had been looking to create the image of photographer at work, he'd never have found a clearer statement than himself.
His eyes were dark, intense now as he added the stop bath to the tank. His hair was dark as well, too long for the convention he cared nothing about. It brushed over his ears, the back of his T-shirt, and fell over his forehead nearly to his eyebrows. He never gave much thought to style. His was cool, almost cold, and rough around the edges.
His face was deeply tanned, lean and hard, with strong bones dominating. His mouth was taut as he concentrated. There were lines spreading out finely from his eyes, etched there by what he'd seen and what he'd felt about it. Some would say there'd already been too much of both.
The nose was out of alignment, a result of a professional hazard. Not everyone liked to have his picture taken. The Cambodian soldier had broken Shade's nose, but Shade had gotten a telling picture of the city's devastation, of the waste. He still considered it an even exchange.
In the amber light, his movements were brisk. He had a rangy, athletic body, the result of years in the field—often a foreign, unfriendly field—miles of leg-work and missed meals.
Nora Roberts is the bestselling author of more than two hundred romance novels. She was the first author to be inducted into the Romance Writers of America Hall of Fame. Since her first bestseller in 1991, Nora’s books have spent more than two hundred weeks in the number one spot on the New York Times bestseller list. There are more than five hundred million copies of her books in print, published in over thirty-four countries.
Excerpt. © Reprinted by permission. All rights reserved.:
The room was dark. Pitch-dark. But the man named Shade was used to the dark. Sometimes he preferred it. It wasn't always necessary to see with your eyes. His fingers were both clever and competent, his inner eye as keen as a knife blade.
There were times, even when he wasn't working, when he'd sit in a dark room and simply let images form in his mind. Shapes, textures, colors. Sometimes they came clearer when you shut your eyes and just let your thoughts flow. He courted darkness, shadows, just as relentlessly as he courted the light. It was all part of life, and life—its images—was his profession.
He didn't always see life as others did. At times it was harsher, colder, than the naked eye could see—or wanted to. Other times it was softer, more lovely, than the busy world imagined. Shade observed it, grouped the elements, manipulated time and shape, then recorded it his way. Always his way.
Now, with the room dark and the sound of recorded jazz coming quiet and disembodied from the corner, he worked with his hands and his mind. Care and timing. He used them both in every aspect of his work. Slowly, smoothly, he opened the capsule and transferred the undeveloped film onto the reel. When the light-tight lid was on the developing tank, he set the timer with his free hand, then pulled the chain that added the amber light to the room.
Shade enjoyed developing the negative and making the print as much as, sometimes more than, he enjoyed taking the photograph. Darkroom work required precision and accuracy. He needed both in his life. Making the print allowed for creativity and experimentation. He needed those as well. What he saw, what he felt about what he saw, could be translated exactly or left as an enigma. Above all, he needed the satisfaction of creating something himself, alone. He always worked alone.
Now, as he went through each precise step of developing—temperature, chemicals, agitation, timing—the amber light cast his face into shadows. If Shade had been looking to create the image of photographer at work, he'd never have found a clearer statement than himself.
His eyes were dark, intense now as he added the stop bath to the tank. His hair was dark as well, too long for the convention he cared nothing about. It brushed over his ears, the back of his T-shirt, and fell over his forehead nearly to his eyebrows. He never gave much thought to style. His was cool, almost cold, and rough around the edges.
His face was deeply tanned, lean and hard, with strong bones dominating. His mouth was taut as he concentrated. There were lines spreading out finely from his eyes, etched there by what he'd seen and what he'd felt about it. Some would say there'd already been too much of both.
The nose was out of alignment, a result of a professional hazard. Not everyone liked to have his picture taken. The Cambodian soldier had broken Shade's nose, but Shade had gotten a telling picture of the city's devastation, of the waste. He still considered it an even exchange.
In the amber light, his movements were brisk. He had a rangy, athletic body, the result of years in the field—often a foreign, unfriendly field—miles of leg-work and missed meals.
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- PublisherSilhouette
- Publication date2012
- ISBN 10 0373281625
- ISBN 13 9780373281626
- BindingMass Market Paperback
- Number of pages432
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A Day Away
Published by
Silhouette Books
(2012)
ISBN 10: 0373281625
ISBN 13: 9780373281626
New
Mass-market paperback
Quantity: 1
Seller:
Rating
Book Description Mass-market paperback. Condition: New. Mass market (rack) paperback. Glued binding. 427 p. Audience: General/trade. Seller Inventory # Alibris_0001053
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