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Book Description First Edition. Hardcover. 192pp. Illustrated. Index. Near Fine in dustwrapper with tiny spot to front panel. Seller Inventory # 13642
Book Description Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near fine book and jacket. Seller Inventory # 119560
Book Description Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.92. Seller Inventory # 0370303040-2-3
Book Description hardcover. Condition: Good. All orders are dispatched the following working day from our UK warehouse. Established in 2004, we have over 500,000 books in stock. No quibble refund if not completely satisfied. Seller Inventory # mon0006787263
Book Description Cloth, 8vo, 23 cm, 191 pp. From the blurb: "When Brooke Crutchley joined the Cambridge University Press as Walter Lewis's assistant in 1930, he found himself in the midst of the typographical revival which had begun towards the end of the nineteenth century and which gathered fresh impetus in the 1920s. His close association with Lewis, and with Stanley Morison, Oliver Simon, Francis Meynell, Eric Gill, Bruce Rogers and others, enables him to write authentically - and entertainingly - about their working methods and their personalities. Artists come into his story too, among them Gwen Raverat, Reynolds Stone and Edward Ardizzone. After the war, during which he served in the Admiralty, Brooke Crutchley succeeded Lewis as University Printer and in the following years he was absorbed in a search for increased productivity, the building of a new printing house, introducing up-to-date technologies and sparring with printing trade unions. Frequently throughout the book he expresses his ideas on the principles of good typography and he tells of his battles for well-designed lettering in public places. In a chapter on his visits to America he writes of the standards of book design and production as he found them there and about the American printers and publishers whom he met. It is, however, Cambridge, England, which provides most of the background and, incidentally, some engaging sketches of donnish characters of a generation now past." Very Good in Very Good dustwrapper. Seller Inventory # ABE-42750
Book Description 1st edition. 8vo. [192pp.] Several b/w. illustrations. Original boards. White d/w. lettered in black. ISBN 0370303040 US$14. Seller Inventory # 179744
Book Description Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Lime green cloth, gilt titles to spine, part pictorial dust-jacket. 192 pages. Biography of Cambridge University Press Printer. Seller Inventory # 013296
Book Description Hard Boards. Condition: Very Good. Dust Jacket Condition: Very Good. HARDBACK IN JACKET 1980. Clean & tight. No inscriptions. Jacket is not torn. Front flap is not price-clipped. Jacket is now under clear removable covers. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref H488. To be a Printer by Brooke Crutchley. Seller Inventory # 032925
Book Description Hardcover. Condition: Very Good. To be a Printer This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Seller Inventory # 7719-0370303040
Book Description Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. Seller Inventory # 6545-0370303040