Alexander, Lynne Resonating bodies ISBN 13: 9780333470312

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9780333470312: Resonating bodies
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A renowned musician retires and gives a young rival his 17th century viola de gamba. This novel examines the relationship between the musician and the instrument - their interdependence and their separate stories once parted. Lynne Alexander, an American, was a professional harpsichordist until she gave up her musical career in 1981 and turned to writing fiction. Her first novel, "Safe Houses", was published in 1985.

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From Publishers Weekly:
Narrated in alternating chapters by elderly British musician Nicholas Jordan and his beloved viola de gamba called Rose, Alexander's second novel is an audacious tour de force. Having bestowed his beloved instrument on his daughter, Nicholas sits in Ver sailles's Hall of Mirrors listening to a concert in which the viola seems to sing to him alone. As Rose's voice swells and ebbs like the baroque music she creates, she recalls the artists, composers and politicians who figured in the vicissitudes of her dramatic life. Beginning in 1670 when she was fashioned, Rose was played by famous masters, endangered during the French Revolution (and lost for a time), drastically and almost fatally redesigned and, finally, rescued by Nicholas, who recognized her worth. Meanwhile, Nicholas ruminates on his lifelong obsession with Rose, evoking in sensuous terms a relationship that bordered on human--one of passion and intelligent communication. Perfectly attuned, the two protagonists' "conversation" ranges over musical history and human relationships with equal effect. Alexander was a professional harpsichordist before she segued into writing. This impressively executed novel confirms the talent evinced in Alexander's first novel, Safe Houses .
Copyright 1989 Reed Business Information, Inc.
From Library Journal:
The story of a valuable viola da gamba called Rose and its owner, master musician Nicholas Jordan, is here told in a double narrative that takes place as Jordan attends the debut concert of protegee Lucy, to whom he has bequeathed Rose. Themes of life versus art, the price of artistic commitment, and the artist's worth and immortality are explored in extravagant, clever language familiar from Alexander's first novel, Safe Houses ( LJ 10/15/85). The abundant sexual imagery and the language of love used to depict the master/instrument relationship has no subtlety and soon becomes trite. Anthropomorphizing a gamba and piling on musical fact and detail finally do not make a story able to move us. Interesting effort, ineffective result.
- Steven J. Squires, Univ. of North Carolina at Chapel Hill Lib.
Copyright 1989 Reed Business Information, Inc.

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  • PublisherMacmillan
  • Publication date1988
  • ISBN 10 0333470311
  • ISBN 13 9780333470312
  • BindingHardcover
  • Edition number1
  • Number of pages229
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Book Description Paperback. Condition: Very Good. A renowned musician retires and gives a young rival his 17th century viola de gamba. This novel examines the relationship between the musician and the instrument - their interdependence and their separate stories once parted. Lynne Alexander, an American, was a professional harpsichordist until she gave up her musical career in 1981 and turned to writing fiction. Her first novel, Safe Houses, was published in 1985. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR004705835

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