Excerpt from The Early Romances of William Morris: In Prose and Verse
It may not be inappropriate here to say a word about the technique Of that first book. On a question of this kind it is only With great diffidence that one would care to dissent from Mr. Swinburne, who finds it to be blundering and stumbling, and altogether very faulty, and regards Morris very much as an amateur in the matter of the craft of versification. The merit of the book - according to Mr. Swinburne - lies almost entirely in its passion, emotional depth, and truth. But this is probably due to the fact that Morris aimed at something very different from the aims Of Mr. Swinburne. He never attempted to write lines of their own arduous fulness reverent. He often de liberately ignored the aids to that fulness which are given by elision and elision - Mr. Swinburne says - is a law, not a privilege. But Morris aimed at an effect which he could only obtain by his own methods. His verses should be read slowly, almost syllable by syllable, with due regard to their child-like flair/etc, and the reader will soon perceive that a poem like the Defence of Gamer/ere, with its extraordinarily over-lapping lines, and rhymes so unexpected that at first sight they seem rambling and bungling, is a consummate work of art. The feverish wanderings of the half-distraught queen's speech could not have been rendered more magnificently than in this curiously-wrought piece of terza-n'ma. On the subject of Morris's verse we are compelled to differ from Mr. Swinburne, though we cannot enter into the matter very fully here.
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