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Surely this sense of himself as the republic's recording angel accounts for the structure of Mailer's anthology: rather than arranging the excerpts by date of composition, he groups them by the historical era they describe. His 1963 polemic about the Bay of Pigs, for example, appears alongside his cloak-and-dagger reconstruction of the same event from Harlot's Ghost (1991). Fiction and fact lie cheek-by-jowl and eventually become impossible to tell apart. Here is the fulfillment of a project that Mailer began decades ago with such cunning hybrids as Armies of the Night. Yet this enormous volume shouldn't be read merely as a hand-tooled work of history. It is also the record of a phenomenal literary career, documenting Mailer's initial triumphs, his adrenaline-infused masterpieces of the late 1960s, hyperbolic stinkers like Marilyn and Ancient Evenings, and the astringent sorrow and awe of The Executioner's Song, which marked his return to form in 1979 after a long fallow period. Who but this loudmouthed, elegant, shrewd, and invariably excessive author would claim that his time--i.e., his accounting of it--is essentially our time? And who else could even begin to make such a claim stick? The list is a short one indeed.
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Book Description Paperback. Condition: Very Good. This selection of Norman Mailer's work offers a boisterous portrait of our times. The pieces were chosen by Mailer himself and are arranged as a literary retrospective. Included are passages from The Naked and the Dead, The Armies of the Night the The Executioner's Song, as well as many other works and magazine pieces on subjects from Marilyn Monroe to Madonna. The collection is a testament to Mailer's energy, his curiosity and his talent. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001518967
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