From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Movies discussed include: Slaughterhouse Five, Catch-2, Clockwork Orange, Harold and Maude, Heathers, and Natural Born Killers.
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From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre.
WES D. GEHRING is Professor of Film at Ball State University. He is author of ten previous books: Leo McCarey and the Comic Antihero in American Film (1980), Charlie Chaplin: A Bio-Bibliography (1983), W. C. Fields: A Bio-Bibliography (1984), Screwball Comedy: A Genre of Madcap Romance (1986), The Marx Brothers: A Bio-Bibliography (1987), Handbook of American Film Genres (1988), Laurel & Hardy: A Bio-Bibliography (1990), Mr. B. or Comforting Thoughts About the Bison: A Critical Biography of Robert Benchley (1992), Populism and the Capra Legacy (1995), all by Greenwood Press, and Groucho and W. C. Fields: Huckster Comedians (1994). His poems and humor pieces have appeared in numerous publications.
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Book Description Hardcover. Condition: new. Hardcover. From Charlie Chaplin's "The Gold Rush" to Quentin Tarantino's "Pulp Fiction", Gehring presents a theory of the black comedy film genre. Placing the movies he discusses in an historical and literary context, Gehring explores the genre's obsession with death and the characters' failure to be shocked by it. Movies discussed include: "Slaughterhouse Five", "Catch 22", "Clockwork Orange", "Harold and Maude", "Heathers" and "Natural Born Killers". From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780313261848
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Book Description Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. From Charlie Chaplin s The Gold Rush to Quentin Tarantino s Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre s obession with d. Seller Inventory # 446881744