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Mysteries accrue around Wade. At the opening of the book, a neighbor girl drowns and he is blamed for the accident. In fact, throughout Wade's time with Clark, violent events crop up, and Lesley has the guts to leave these events unexplained. This deepens our sense of the core mystery of the story: Wade's damaged childhood remains unknowable. A string of therapists toss about theories--abuse, a learning disability, Fetal Alcohol Syndrome--and Lesley (who was foster parent to such a boy for a decade) shows how meaningless such theories are in the face of the day-to-day reality of Wade's difficulties.
As Wade makes his way back to his tribe, Lesley spins his novel outward into a meditation on the way families are made and the way children are lost. A Tlingit elder describes to Clark the mythical "land otters" who make off with Tlingit children. Clark thinks he knows what the old man is talking about, and remarks that the land otters are a good metaphor for drugs and alcohol. "The old man shook his head. 'Sometimes there are real land otters.'" And that's the grace of Lesley's writing: Wade is a metaphor for all endangered children, and at the same time he's his own distinctive story, no more and no less. --Claire Dederer
Craig Lesley is a lifelong resident of the Pacific Northwest. He has twice received the Pacific Northwest Booksellers Association Book Award, for Winterkill and for The Sky Fisherman. He is also the author of River Song. He lives in Portland, Oregon.
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