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“Balliett is one of those rare critics whose prose can be as much a work of art as what they write about.” ―The New York Times
“Studied, sparkling descriptions [that] bubble over with the qualities that make Mr. Balliett the most important chronicler of jazz ever--his ear for intense detail, his knack for rendering the mood of a performance, his love for the characters behind the music.” ―Dallas Morning News
“Balliett is the master mandarin stylist of all jazz critics, perhaps even of all critics . . . Savor this book for Balliett's elegant, even Ellingtonian-like verbal riffs filled with the sound of surprise.” ―The Hartford Courant
“This wonderful collection effortlessly teaches us the history of jazz and demonstrates again that Whitney Balliett is, like Updike and Nabokov, a miraculous writer, one who describes the indescribable.” ―William Whitworth, editor emeritus, The Atlantic Monthly
“Duke Ellington would say of a very few musicians that they were beyond category. Among those of us who write about jazz, so is Whitney Balliett.” ―Nat Hentoff
“Collected Works stands alongside Gary Giddins's similar book, Visions of Jazz: The First Century, as an invaluably cogent and forthright, self-assuredly individualistic history of jazz.” ―David Hajdu, The New York Review of Books
“Not only does Whitney Balliett know and love jazz, but he also possesses the poetic genius to champion it, riffing on language with all the fluency of the musicians whose praises he sings.” ―San Francisco Chronicle
“Whitney Balliett's words are magic. His descriptions of the music and musicians are very affecting and his love for jazz shines through with every elegant phrase.” ―Marian McPartland
“Balliett is a master of language.” ―Philip Larkin
“I am not really generous enough to tell you what I really think about how good you are. Let's say I'm flabbergasted. And that I think you are extremely important.” ―Harold Brodkey
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