Another Dead Teenager: A Paul Turner Mystery - Hardcover

Zubro, Mark Richard

3.84

104 ratings by Goodreads

9780312130244: Another Dead Teenager: A Paul Turner Mystery

Hardcover

ISBN 10: 0312130244 ISBN 13: 9780312130244

Publisher: St Martins Pr, 1995

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Detective Paul Turner investigates the brutal murders of two high-school athletes from prominent area families and slowly begins to suspect something more horrifying than a pair of sensless killings--something deadly that also threatens those he loves

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About the Author:

Mark Richard Zubro is the Lambda Literary Award winning author of two gay mystery series - the Tom & Scott series featuring high school teacher Tom Mason and his lover professional baseball player Scott Carpenter, and the Paul Turner series, featuring gay Chicago Police Detective Paul Turner. He is a high-school teacher, and president of the teacher's union, in the Chicago suburb of Mokena, Illinois.

ANOTHER DEAD TEENAGER (Chapter One)

Paul Turner typed his name at the bottom of the Daily Log, his last act in the paperwork for their latest case. He let out a long breath.

Buck Fenwick tossed his pen on the pile of paper he'd been plowing through all morning.

"You done?" Fenwick asked.

Turner rubbed two fists over tired eyes and shoved himself away from his desk. "Yeah," he muttered. He glanced around the squad room. "Where is everybody?"

"They've been at lunch for hours. Come on." Fenwick's ever-expanding bulk necessitated regular feeding and he did not appreciate being late for meals.

They'd been working all morning on reports that capped a brief but sensational investigation. A couple had claimed they'd come home to their luxury high-rise apartment on Lake Shore Drive and found their eighteen-year-old son shot six times. Since they were rich, white, and lived at a wealthy address, the press had done their best swarm-of-locusts imitation around the grief-stricken parents and harassed cops. They had described their family life as more perfect than a warm-fuzzy sitcom on television. Conversations with the dead boy's friends, however, revealed a bleak but all too familiar picture of a family out of control. The friends told about a kid who flew into violent rages in confrontations with his parents, a kid who spent inordinate amounts of mysteriously gotten money on drugs and parties. The parents dismissed the discrepancy in views of the family's life as "nonsense from drug addicts who weren't worthy of being our son's friends." What the parents couldn't do was cover up the lack of footprints in the pools of blood around the body and the absence of bloodstains on their clothes, which would have been expected if they'd approached the body. As a father Turner knew if he found either of his sons hurt or injured, he'd have rushed to his side and not stood at a distance waiting for the police to confirm horrific news. These two anomalies and the differing family portraits were the starting points in convincing Turner that the parents had killed the kid themselves. Presented with their lack of appropriate parental response and a lot less pressure than Turner would have thought necessary, the father had blurted out the truth. You always looked not only at what the suspects did do, but what they didn't do.

Turner and Fenwick could have walked the three blocks to Dearborn Street for lunch, but Fenwick insisted on using the car. "Why walk when you could drive?" was Fenwick's motto. As he drove, he easily managed to outpace most of the gusts of wind hurrying through the South Loop. Cool early autumn air had replaced yesterday's thunderstorms.

Aunt Millie's Bar and Grill had been popular with cops for years. They packed the place at mealtimes and before and after each shift change, but no matter what time of day or night or even what item was ordered, all the food on the menu seemed to come out as mounds of artery-clogging glop or--on a good day--something akin to stale heaps of crust. The noisy, dim, smokefilled room was usually crammed with cops. The motley mix occasionally got flavored with a lost tourist or two, or a couple of brave or demented locals. Two mystery writers had wandered in once, trying to get information about detective work. Millie told them lies while the real cops grinned and guffawed behind them. Aunt Millie's was the last bastion of a grittier Chicago past in the recently upscale Printers Row area of the city.

Turner and Fenwick joined Harold Rodriguez, Dwayne Smythe, and Ashley Devonshire, three other cops from Area Ten, at a circular booth near the back of the restaurant.

After raucus greetings and orders given to a waitress in a rhine-stone-studded apron, Fenwick asked Rodriguez, "Where's Carruthers?"

Randy Carruthers, curse of the day shift, was Rodriguez's partner.

"Do I care?" Rodriguez said. "Maybe he fell into the lake and drowned or he was kissing ass so hard he died in a gas attack. I can only hope something unpleasant happened to him. If I ever decide to kill somebody, my fondest wish is that they assign the case to Carruthers. I'd never be caught."

Ashley pointed to Turner, then Fenwick, and asked, "Did you guys really wrap up that Lake Shore Drive shooting last night?"

Both detectives nodded.

Dwayne, pink-cheeked, with short, brush-cut black hair and perfect teeth, and Ashley, an African-American woman with a pleasant smile and a melodious voice, were the newest additions to the Area Ten detective squad. Their newness did not prevent them from adopting the most blatant attitude of "been-there, done-that" Turner had ever run into. If you had a crime with ten dead bodies, they had one with eleven. If you'd worked eighteen hours, they'd worked nineteen. If you'd solved a case in ten hours, they could have done it in nine.

"Damn, you guys are good," Dwayne said. He reached over and twiddled Fenwick's tie. The older cop growled. "You guys are good, but Ashley and I are good and lucky. That's the combination you've got to have."

Ashley patted Fenwick's hand. "You're cute when you're angry."

"I don't see why you worked so hard on the case," Rodriguez said. "They did the world a favor. It was just another dead teenager. Not enough of those around."

"It was their own kid," Ashley said. "You see it all the time."

Turner knew the source of Rodriguez's sourness on teenagers. Of Rodriguez's four kids, two had been in jail by the age of sixteen, a third was saved from prison only because he could run faster than an overweight beat cop, and the fourth had run away six months ago. Rodriguez's being a cop had protected his kids from prosecution only a little and that only in the beginning. Turner liked Rodriguez, found him affable as a companion and more than competent as a cop. He couldn't imagine the home life that led to such misery.

"All kids are rotten," Rodriguez said.

"You still encouraging teenagers to hang out on street corners and join gangs?" Fenwick asked.

"Whenever I can. More chances to shoot each other that way." For a few more minutes Rodriguez continued on a tirade about how awful kids were while the others ate in silence. Turner tuned him out. He'd heard the litany of teenage sins and perversions innumerable times before.

As their mounds of grease--reputedly burgers this afternoon--were delivered, Fenwick's radio crackled. Fenwick put the portable next to his ear to listen. He moved the mouthpiece to his lips, gave a brief response, and said to Turner, "We gotta go. Grab your stuff."

Turner didn't ask questions. He threw money on the table, picked up his burger and plastic cup filled with coffee, and followed Fenwick out to the car.

Behind the wheel Fenwick said, "We got a dead body in an abandoned warehouse at Twentieth and Lumber Streets." Fenwick drove and ate while Turner balanced his drink against Fenwick's quick starts, rapid acceleration, sharp turns, and abrupt stops. If he had to drive five feet or five hundred miles, he pushed a car as fast as it would go, rarely bothering with what the terrain or road conditions would allow.

"Body will still be dead when we get there," Turner said around several bites of burger.

Fenwick grunted. Turner was mostly used to Fenwick's mad careening, but he didn't relish the idea of a lapful of hot coffee.

They hurried down Clark Street to 20th and turned west to cross the river. A blue and white squad car rested on the pavement in front of a building bounded by the Chicago River, Lumber Street, and 20th Street. Most of the windows were broken out of the five-story structure. Grimy maroon bricks made up the walls of the hopelessly dilapidated outer shell of the old factory. They grabbed flashlights and notebooks and strode toward a uniformed cop standing on the threshold.

"You guys won't believe it," the cop said.

Turner didn't recognize the officer, who was short, blond-haired, and slender, but he did recognize the trembling and excitement. Probably just out of the police academy and hadn't seen a dead body before. The guy was torn between the desire to gape and the urge to toss his lunch.

"How'd the call come in?" Fenwick growled.

The cop blinked. He said, "Huh?"

"Who found the body? Who called it in?"

"Some little kid playing where he wasn't supposed to. That's not the big thing."

"What is?" Fenwick asked.

"The dead guy is Ken Goldstein's son."

Fenwick glared at the guy a moment, then said, "It's still just a dead guy."

Fenwick's attitude was the right one, Turner knew, but still the Goldstein name would bring hordes of reporters. Ken Goldstein had been the coach of two college basketball national championship teams in his years at St. Basil's University in Frankfort, a far south suburb of Chicago. Moving on from there, it took him ten years to win two national basketball championships in the NBA. For several years his name had been almost as magical in Chicago sports as Michael Jordan's. The press circus of the case they just finished would be nothing compared to the mobs around them now.

"How do you know it's Goldstein's son?" Turner asked.

"Driver's license and other stuff in his wallet," the blond said.

"You touched the body?" Fenwick snapped.

"Just for identification."

Fenwick snarled and growled, then said, "Just for nothing, you dumb-shit numb-nuts asshole!" Fenwick enjoyed teaching rookie cops a lesson and Turner let him shout on. The kid had to learn sometime. Fenwick pushed his nose an inch from the young cop's face. "Never touch anything! Never! Don't go near the scene! Just call the detectives and stay away!"

The blond turned pale and gulped. His voice squeaked, "Yes, sir."

"Don't they teach you guys anything at the academy?" Fenwick didn't wait for an answer. "You got a partner in there screwing things up?"

"Yes, no." The cop scratched his head in bewilderment. "He's in there."

"Stay out here." Fenwick jabbed a finger into the cop's chest to punctuate each sentence. "Keep everybody...

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