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Book Description Condition: New. Seller Inventory # 21562819-n
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WY-9780300204001
Book Description Hardcover. Condition: New. Seller Inventory # 6666-WLY-9780300204001
Book Description Condition: New. Book is in NEW condition. 4.63. Seller Inventory # 0300204000-2-1
Book Description Condition: New. New! This book is in the same immaculate condition as when it was published 4.63. Seller Inventory # 353-0300204000-new
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Book Description Hardcover. Condition: Brand New. 448 pages. 11.50x9.50x1.50 inches. In Stock. Seller Inventory # __0300204000
Book Description Hardcover. Condition: new. Hardcover. In this wide-ranging, eloquent book, Paul Binski sheds new light on one of the greatest periods of English art and architecture, offering ground-breaking arguments about the role of invention and the powers of Gothic art. His richly documented study locates what became known as the Decorated Style within patterns of commissioning, designing, and imagining whose origins lay in pre-Gothic art. By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality. His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Generously illustrated with hundreds of images, Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.Published for the Paul Mellon Centre for Studies in British Art Focusing on one of the greatest periods of English art and architecture, this book includes arguments about the role of invention, making and the powers of Gothic art. It locates what became known as the Decorated Style within patterns of commissioning, designing and imagining whose origins lay in pre-Gothic art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780300204001
Book Description Condition: New. Focusing on one of the greatest periods of English art and architecture, this book includes arguments about the role of invention, making and the powers of Gothic art. It locates what became known as the Decorated Style within patterns of commissioning, designing and imagining whose origins lay in pre-Gothic art. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 448 pages, 175 colour images + 100 b/w illustrations. BIC Classification: 1DBKE; 3H; ACK; AMX. Category: (G) General (US: Trade). Dimension: 287 x 227 x 37. Weight in Grams: 2166. . 2014. Hardcover. . . . . Seller Inventory # V9780300204001