The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Politic" (Body of the Public) - Softcover
What is the function of painting in a commercial society? John Barrell discusses how British artists and writers of the late eighteenth and early nineteenth centuries, including Sir Joshua Reynolds, William Blake, and James Barry attempted to answer this question. His provocative and illuminating book offers a new perspective on both art criticism and eighteenth-century British culture.
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- PublisherYale University Press
- Publication date1995
- ISBN 10 0300063555
- ISBN 13 9780300063554
- BindingPaperback
- Number of pages378
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Politic"
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ISBN 10: 0300063555
ISBN 13: 9780300063554
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Book Description Soft cover. Condition: New. 8vo (21.5 cm), 378 pp. Laminated wrappers. "What is the function of painting in a commercial society? John Barrell discusses how British artists and writers of the late eighteenth and early nineteenth centuries, including Sir Joshua Reynolds, William Blake, and James Barry attempted to answer this question. His provocative and illuminating book offers a new perspective on both art criticism and eighteenth-century British culture." (from the publisher's description). Seller Inventory # 007040
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Politic" (Body of the Public)
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Politic" (Body of the Public)
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