The graffiti of the French student and worker uprising of May 1968, capturing participatory politics in action.
Graffiti itself became a form of freedom.
―Julien Besançon, The Walls Have the Floor
Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
The graffiti collected here is by turns poetic, punning, hopeful, sarcastic, and crude. It quotes poets as often as it does political thinkers. Many wrote “I have nothing to write,” signaling not their naiveté but their desire to participate. Other anonymous declarations included “Prohibiting prohibited”; “The dream is reality”; “The walls have ears. Your ears have walls”; “Exaggeration is the beginning of invention”; “Comrades, you're nitpicking”; “You don't beg for the right to live, you take it”; and “I came/I saw/I believed.” A meeting is called at the Grand Amphitheater of the Sorbonne: “Agenda: the worldwide revolution.” This was interactive, participatory politics before Twitter and Facebook.
Although the revolution of May 1968 didn't topple the government (Charles de Gaulle fled the country, only to return; in June, his party won a resounding electoral mandate), it made history. In The Walls Have the Floor, Julien Besançon collected traces of this history before the walls were painted over, and published this collection in July 1968 even as the paint was drying. Read today, the graffiti of 1968 captures, in a way no conventional history can, the defining spontaneity of the events.
"synopsis" may belong to another edition of this title.
Realistically, the book contained in this apparently innocuous book is incredibly powerful, young. Vital. These messages, phrases have great adherence to our reality as well... Highly recommended.
―Al Femminile"About this title" may belong to another edition of this title.
Shipping:
US$ 2.64
Within U.S.A.
Book Description Condition: New. Seller Inventory # 30240111-n
Book Description PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9780262038027
Book Description Soft Cover. Condition: new. Seller Inventory # 9780262038027
Book Description paperback. Condition: New. Language: ENG. Seller Inventory # 9780262038027
Book Description Paperback. Condition: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE. Seller Inventory # 9780262038027-GDR
Book Description Condition: New. . Seller Inventory # 52GZZZ00Z1PA_ns
Book Description Paperback. Condition: Brand New. translation edition. 202 pages. 4.50x7.00x0.75 inches. In Stock. Seller Inventory # __0262038021
Book Description Condition: New. In English. Seller Inventory # ria9780262038027_new
Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. The graffiti of the French student and worker uprising of May 1968, capturing participatory politics in action. Seller Inventory # B9780262038027
Book Description Condition: New. 2018. Translation. Paperback. . . . . . Seller Inventory # V9780262038027