The Cowboy and the Dandy: Crossing Over from Romanticism to Rock and Roll - Hardcover

Meisel, Perry

Hardcover

ISBN 10: 0195118170 ISBN 13: 9780195118179

Publisher: Oxford University Press, 1998

Synopsis

What is rock and roll and where does it come from? In this adventurous new study of music, literature, and culture, Perry Meisel shows how rock and roll joins Romanticism and the blues tradition by focusing on the preoccupation with boundaries that are common to both--the boundaries between freedom and irony, country and city, and cowboy and dandy. Meisel traces the emergence of rock and roll out of jazz and Romantic culture alike as he examines, in a series of juxtaposed chapters, rhythm and blues, Emerson and the cowboy, urban blues, the dandy and psychedelia, Willa Cather, Miles Davis, Virginia Woolf, and 1960s rock. In the process, Meisel shows how the presumable difference between high and mass or pop culture disappears when both turn out to have similar structures. He also reveals how canons emerge inevitably within all traditions rather than being imposed upon them from without.

About this title

About the Author:

Perry Meisel is Professor of English at New York University. Over the past 25 years he has written about both Romantic literature and rock and roll music, the first as the author of The Myth of the Modern, The Absent Father: Virginia Woolf and Walter Pater, and Thomas Hardy: The Return of the Repressed; the second as critic and reviewer for The Village Voice, Crawdaddy, and The Boston Phoenix. He is also editor of Freud: A Collection of Critical Essays, and coeditor of Bloomsbury/Freud: The Letters of James and Alix Strachey, 1924- 25.

From Library Journal:

Literary and music critic Meisel (English, NYU) analyzes rock music's boundaries through the filter of literary criticism. To support his thesis that a circular relationship exists between Romantic and American culture (e.g., Oscar Wilde, Virginia Woolf, Willa Cather) and rock, jazz, and blues music (e.g., B.B. King, Chuck Berry, Louis Armstrong, the Beatles), Meisel alternates literary and musical chapters while drawing parallels between them. Unfortunately, his writing style?paragraph-length sentences full of words demanding a dictionary?is inaccessible and incomprehensible to all but the most persevering literary scholar and obfuscates an otherwise intriguing premise. Buy only for graduate-level academic literary collections.?Susan Hamburger, Pennsylvania State Univ., University Park
Copyright 1998 Reed Business Information, Inc.

About this edition

• Publisher: Oxford University Press
• Publication date: 1998
• ISBN 10: 0195118170
• ISBN 13: 9780195118179
• Binding: Hardcover
• Edition number: 1
• Number of pages: 166