A Dictionary of Twentieth-Century Art (Oxford Profiles) - Hardcover

Hardcover

ISBN 10: 0192116452 ISBN 13: 9780192116451

Publisher: Oxford University Press, 1998

Synopsis

From Renoir and Picasso to Red Grooms and Guerrilla Girls, this is the most useful reference work on twentieth-century art available in a one volume. Compiled by Ian Chilvers, the editor of The Oxford Dictionary of Art, it is both authoritative and accessible, with generous use of anecdote and clear explanations of many potentially confusing terms.
Providing broad coverage of painting, sculpture, drawing, and the applied arts, the dictionary has major entries on the important movements and styles of the twentieth century, including Dada, Cubism, Surrealism, Art Deco, Abstract Expressionism, Pop art, Body and Performance art, and Neo Expressionism. In addition there are entries on art schools and galleries, exhibitions and prizes, terms and techniques. The biographies feature not only artists but also collectors, critics, dealers, and patrons. And though the dictionary concentrates on the great names, it is not confined to the mainstream of modern art, featuring many artists working in a more popular tradition as well as interesting peripheral figures (such as the forger Elmyr de Hory).
This up to date and informative guide is an essential reference for anyone interested in modern art.

About this title

About the Author:

Ian Chilvers is a freelance writer and editor. He also edited The Oxford Dictionary of Art. He lives in London.

From Booklist:

Covering every person, movement, or topic pertinent to twentieth-century art is the aim of Chilvers' newest addition to Oxford's group of art reference books. A revised and abridged edition of Harold Osborne's Oxford Companion to Twentieth-Century Art (1981), it also draws on the revised edition of The Oxford Dictionary of Art [RBB O 1 97]. One-fourth of 1,700 entries do not appear in either previous work, and those that do have been updated and expanded. The volume is geared to the general reader and includes information on painting, sculpture, and graphic and other visual arts. Architecture, design, photography, and the applied arts are not included.

Based almost entirely on secondary sources, the alphabetically arranged entries cover artists who were alive in the twentieth century but exclude those whose main influence was in the nineteenth century. No artist born after 1965 has an individual entry. Entries are mainly biographical; entries about movements, styles, or artistic techniques include their historical background, main proponents, and an assessment of their influence or importance. The work is sprinkled with anecdotes that flesh out the facts, and is chiefly concerned with art and artists in English-speaking countries, particularly Britain and the U.S. Clearly marked cross-references add to the usefulness of the book, and the brevity of the entries (the shortest is four lines, the longest six columns) enables ready access to facts. There are no illustrations. Page numbers are difficult to use, as they are located at the top inside gutter of each page.

This work will be useful for ready reference or browsing, and the clear, well-written entries will aid both library users and librarians. Those libraries that wish to update the Oxford Companion to Twentieth-Century Art, or that find the brief entries in The Oxford Dictionary of Art not meaty enough, will want to add this to their collections. Recommended for high-school, public, and academic libraries.

About this edition

• Publisher: Oxford University Press
• Publication date: 1998
• ISBN 10: 0192116452
• ISBN 13: 9780192116451
• Binding: Hardcover
• Number of pages: 688
• Editor: Chilvers Ian