"synopsis" may belong to another edition of this title.
Playfully perverse in form as well as content, riddled with puns and literary allusions, Nabokov's 1955 novel is a hymn to the Russian-born author's delight in his adopted language. Indeed, readers who want to probe all of its allusive nooks and crannies will need to consult the annotated edition. Lolita is undoubtedly, brazenly erotic, but the eroticism springs less from the "frail honey-hued shoulders ... the silky supple bare back" of little Lo than it does from the wantonly gorgeous prose that Humbert uses to recount his forbidden passion:
She was musical and apple-sweet ... Lola the bobby-soxer, devouring her immemorial fruit, singing through its juice ... and every movement she made, every shuffle and ripple, helped me to conceal and to improve the secret system of tactile correspondence between beast and beauty--between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.Much has been made of Lolita as metaphor, perhaps because the love affair at its heart is so troubling. Humbert represents the formal, educated Old World of Europe, while Lolita is America: ripening, beautiful, but not too bright and a little vulgar. Nabokov delights in exploring the intercourse between these cultures, and the passages where Humbert describes the suburbs and strip malls and motels of postwar America are filled with both attraction and repulsion, "those restaurants where the holy spirit of Huncan Dines had descended upon the cute paper napkins and cottage-cheese-crested salads." Yet however tempting the novel's symbolism may be, its chief delight--and power--lies in the character of Humbert Humbert. He, at least as he tells it, is no seedy skulker, no twisted destroyer of innocence. Instead, Nabokov's celebrated mouthpiece is erudite and witty, even at his most depraved. Humbert can't help it--linguistic jouissance is as important to him as the satisfaction of his arrested libido. --Simon Leake
"a road trip to hell in a luxury sedan."
--Salon Magazine
"In his reading Irons recreates the clarity, precision, and lilt of every glorious sentence."
--The Washington Post
"Nabokov said Lolita was the record of his love affair with the English language; Irons makes it a menage a trois."
-- Vogue
"[Irons's] efforts have placed this superb audio on my life list, to be saved for repeated listening."
--Boston Globe
" . . . most praiseworthy of all the audio efforts I've heard . . ."
-- Men's Journal
"Irons' inspired reading is not to be missed."
-- Chicago Tribune
"...a beautifully produced recording that pushes the boundaries of the audio medium.
. . . hands down the best audio production of the year."
-- Library Journal
"Irons reads with wickedly understated malevolence, preserving Humbert's foolish patrician airs. The artfulness of the telling is delightful, with all its stilted false humility. For those who have never read the book, or read it long ago, the subject matter of a man in love with a child will come across as a fresh shock indeed."
-- Publishers Weekly
"an extraordinary reading, almost haunting."
--The San Diego Union Tribune
" . . . extrordinary - more than extraordinary."
--BookPage
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