From Kirkus Reviews:
Thin, uninflected report on several months that English author/musician Shukman (Sons of the Moon, 1990) spent caroming about the Lesser Antilles and the South American highlands of Ecuador and Colombia. Presumably aiming for the picaresque, Shukman allows his narrative to sprawl, piling up irrelevant detail as he offers a largely unrevealing look at the peoples, places, and popular arts of the Caribbean Basin. Eight years earlier, Shukman had spent time in the South American Andes, an experience recorded in his first book. Here, he returns to the tropics, carrying his trombone and hoping to sit in with various bands throughout the area. His first destination is Trinidad--with its highly publicized calypso groups--where, during the pre-Lenten Carnival, he joins an aggregation called the Blue Ventures. The major insight he seems to gain from that experience, though, is that nonstop revelry is exhausting. Shukman next moves north, through the Grenadines to Guadeloupe, where zouk is the current music-of-choice. Then it's on to mountainous Dominica, where the author explores the only Carib Indian reservation in the world. Along his route, he encounters a gallery of island musicians, barely distinguishable from one another--as are the islands themselves--through the author's unfocused prose. There's a sameness, unfortunately, to most of Shukman's experiences: all- night jam sessions, boozy conversations in fly-specked rum shops, sweaty siestas in hot hotel rooms. The author is most successful when he describes a Shango voodoo ceremony he attended in Trinidad, and when he recounts his terror as he's caught in a police round-up in Cartagena, Colombia. These are slim pickings, however, in a dull and disappointing work. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
From Publishers Weekly:
At age 27, amateur trombonist Shukman ( Sons of the Moon ) left his native England for the Caribbean, which had captivated him on a trip eight years earlier. Three weeks before the height of Carnival--Trinidad's Mardi Gras celebration--he was hird to play in a soca (soul-calypso) band called the Blue Ventures. The job became his ticket to all-night parties packed with revelers and fueled by sexual energy and rum; his feverish prose aptly conveys the heated climate, as well as his own elation and overwhelming fatigue. When Lent began, Shukman went to Grenada, Guadeloupe and Dominica to play reggae, zouk (the music of the French Caribbean) and more calypso. Later, he made his way to mainland Colombia for salsa and folk music, but tension haunted his visit, which ended with his wrongful arrest on a drug charge. A continuous soundtrack seems to accompany every adventure here: Shukman joins local outfits for gigs or casual jam sessions, and frequently passes shops and taxis blasting tropical music. Buoyed by sensual imagery, this vibrant travelogue presents a potpourri of islands and musical styles.
Copyright 1993 Reed Business Information, Inc.
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